I’ve been enjoying Hannah Stephenson’s blog, The Storialist, for several years. She posts a poem every day, usually inspired by someone else’s artwork. They’re quite good, amazing really, when you consider she does this every weekday. So I was happy to read her collection In the Kettle, the Shriek (Gold Wake Press, 2013).
These poems are full of warmth, wit, and so many questions. I really like the way she asks questions in her work. I found myself stopping in my tracks, sometimes doubling back after a few pages as I realized my thoughts weren’t keeping up with my reading. Go slow, with this book. Too fast and you’ll miss something. I suppose many books are like that, but In the Kettle, the Shriek rewards that doubling back.
Many of the poems seem to throw a bunch of vivid images and intriguing ideas out there, and I wonder what will stick, where is this going, and then I think, who cares, I’m enjoying the ride. But at the end, the poet often manages to both tie it all together and reveal something new in a single line that is often a question. This is the genius of the work, I think, and what I found so compelling, so interesting.
This is a very positive book. There is darkness, death, panic, extinction, in these pages, but there is light too. A gentle reminder that things will often work out if we are strong, if we are brave. I was especially struck by “Pressing Ghosts,” in which the speaker shares her own fears that her work is unremarkable and dull (it isn’t!) and concludes with:
Even so, I keep creating, I am capable.
I will calmly allow its heaviness
and stand when it goes. It will.
Strong work here, and I look forward to rereading In the Kettle, the Shriek one day. In the meantime, I will keep reading Hannah’s work at The Storialist.
James Brush is a teacher and writer who lives in Austin, TX. He tries to get outside as much as possible.
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