I used to have two blogs, but a few years ago that stopped making sense. At the time, I could barely keep this one going so I closed up a gnarled oak and started publishing my micropoems here. After two years, I’ve decided to do something new with the site so I relaunched it as Gnarled Oak, an online literary journal:
The idea developed as I was putting together a new poetry collection, and while proofing the acknowledgments page, I realized that most of the journals that had published some of the poems in that collection had shut down: qarrtsiluni, ouroboros review, Bolts of Silk, The Houston Literary Review, and a handful of stones. Literary journals are often transient things, but some of these were true favorites, and a handful of stones was where I got my first acceptance for a poem.
Now, I don’t know if the world needs another online literary journal, but I’m pretty sure it won’t hurt anything to add a little literature, art, and beauty to the web, and anyway I had this site and URL doing nothing, so I figured it might be fun and worthwhile to see what might grow here at this old Gnarled Oak. And if I can do this even half as well as the editors of the above-mentioned journals did, I will be very happy indeed.
I hope you’ll check it out and consider submitting. I’m reading for the Fall 2014 and Winter 2015 issues. The first issue will be a micropoetry, microprose, micro-whatever issue. Go, on, now. Check it out.
Over the past few days, I’ve been fortunate to have had two poems published. Red Wolf Journal published my prose poem “Walking Down the Night” as part of their Fall 2014: Celebration & Ritual issue, and Austin-based journal Carcinogenic Poetry published “Ghazal for Seven Goddesses.”
I also recently learned that three of my April NaPoWriMo poems made the daily top ten lists at Poetic Asides Daily, and one, “Trigger”, even won the day (Day 29: Realist and/or Magical Poem, chosen by guest judge Adam Fitzgerald). The two that made the short lists are “Sticky Note” (Day 3: Message Poem) and “The Summer Forecast” (Day 18: Weather Poem). Each days’ winning poem will be published in the upcoming anthology/prompt book Poem Your Heart Out (Words Dance Publishing).
Just a quick announcement: my 2003 novel A Place Without a Postcard is available as a free download in the kindle store today (5-2-14). I hope you’ll check it out and share it with any friends you think might be interested. Thank you, and enjoy.
(The paperback is also reduced to $10.99, though I don’t know how long that will last.)
My poem “Fleeting” is up at Verbatim Poetry. It’s a found poem made from a paragraph in the March 2014 issue of National Geographic. It caught my attention because it echoes several of the images and ideas found in my 2010 poem “A Necklace for the Goddess of the Empty Sea” originally published in Poets for Living Waters (Aug 2010) and recently read by Nic Sebastian at The Poetry Storehouse.
Three of my poems were featured in Red Wolf Journal’s “The Art of Habitation” issue over the past three days. Please check out “The Backyard at Sunset” (Friday), “Ghazal of Treaty Oak” (Saturday), and “Ghazal for a Nameless Stream” (Sunday). Thanks to editors Neil Reid and Irene Toh for including these.
The inaugural issue of CSHS (Clipper Ship Hauling Stories or Can She Hack Sonnets?) is out, and I’m honored to have three of my poems featured alongside the work of several other fine poets in this issue. Thanks Joseph & Tessa for including my poems “The Rope Swing,” “Here Comes a Twister,” and “Flags of Convenience.”
Today I am “officially” relaunching my 2003 novel A Place Without a Postcard. It was first published through iUniverse and while the experience was a positive one, I wanted to re-publish it under my own Coyote Mercury Press.
The 2014 paperback version features a new cover, trim size, and layout but the story is the same. I corrected the typos that snuck into the original, cut a few unnecessary adverbs, and restructured some sentences for clarity. I’ve learned a lot about writing in the 11 years since Postcard was first published, and I wanted to apply some of that to the new version, which is more a remaster than a true 2nd edition.
I approached the work with a light hand, though, because I didn’t want to change the story or the characters in any way and so the post I put up nearly a year ago about the upcoming Kindle edition (which has now finally come up) still stands. After all these years, I am still happy with this book, and I hope others will be too.
One of the nice things about publishing through my own company is that I can control the price and so for today, I’ve got the paperback version on sale for $10.99 (usually $13.99) and the Kindle edition for $1.99 (usually $3.99) both through Amazon. Additionally, the Kindle version is free through Amazon’s Match Book program so if you ever bought the old paperback (thank you!) or if you buy the new one you should be able to download the Kindle version for free.
If you bought the book back in 2003 (or later), thank you again, and I hope you’ll let your friends know about the new edition, and if you haven’t read it, I hope you’ll check it out. Thank you.
My erasure poem “Driftwood” (from a page in Poe’s “Fall of the House of Usher”) is up at Right Hand Pointing. It’s an honor to have my poem included in this fine issue celebrating found poetry. It was originally posted here along with a photo of the page I worked from including my marks and highlights. Thanks, Dale & Howie for publishing this one!
I don’t know what it is about long-legged waders that inspires me to write odd haibun, but here’s “The Cattle Egret” appearing in the ‘Animals in the City’ issue of qarrtsiluni.
Even cooler is sharing the day with Deb Scott and her beautiful work, and be sure to check out this one by Joseph Harker. Hell, just read the whole issue.
If you like egret haibun thing, I had another one published in qarrtsiluni back in 2011 and there’s one here too.
Thanks, Sherry and David for including this.
A year ago, while trying to stay awake so as not to drop my newborn son while on shift rocking him through the wee hours of the night, I jotted some of my thoughts down on my iphone between games of Words with Friends and reading blogs. I tried cobbling them into a poem but when I saw qarrtsiluni‘s call for submissions for the fragments issue, I sent the notes and looking at them a year later, found I liked them as they were. So apparently did the issue editors, since they selected the piece and published it yesterday as “Notes Made on an iPhone while Rocking My Son to Sleep, July 2011″. Thanks Olivia Dresher and Catherine Ednie for including it!
It’s funny looking at this a year later. A little over a month ago, the baby disappeared and there was a wonderful, curious, active toddler in his place.