Coyote Mercury

words, birds and whatever else by James Brush

Category: videos (page 1 of 2)

Highway Sky: Creative Commons, Remix & Resources

 

That’s the video I made for “God Bless Johnny Cash” which is now part of Highway Sky. It’s the first video poem I ever made, and while it’s a bit rough, I still kind of dig it. Along with “Chasing Westward,” I’ve made two videos for the Highway Sky poems, but what really excites me is the idea of creative remix, which is why the poems in Highway Sky are all licensed under the Creative Commons Attribution-ShareAlike-NonCommercial license.

I was inspired by the example of The Poetry Storehouse and its radical sharing/remix culture based on the same Creative Commons license used for Highway Sky. I participated in The Poetry Storehouse as a poet, reader, and remixer and found the whole experience to be so wonderful that I wanted to release Highway Sky under the same terms and see what, if anything might come of it. (Incidentally,  “For Gasoline” and “angels” are available for remix there along with a few of my other poems).

So, for anyone interested in remixing anything in Highway Sky, I offer the following resources:

Text

Free PDF version of Highway Sky (please note, the cover photo is copyrighted by the photographer and the Creative Commons License does not apply to it)

Additionally, early drafts of many of the poems can be found here under the tag highway sky draft poems

Audio

These are all of me reading some of the poems:

“For Gasoline” (text available at The Poetry Storehouse)

download

“Angels” (text available at feathers & The Poetry Storehouse)

download

“Night at the Interstate Diner” (text available at qarrtsiluni)

download

U.S. Highways

download

Chasing Westward

download

 

Of course, please abide by the terms of the license, and if you want to make a hit song, broadway musical, or some other commercial product out of any of my poems, you’ll need to get in touch with me. But we’ll be able to work something out.

And, while we’re at it, here’s the video I made for “Chasing Westward” which is also included in my short collection Birds Nobody Loves.

“Chasing Westward”

 

Two Videopoems and Two Poems Published

I’ve been remiss in updating this here blog, so, here’s some cool stuff…

Below (videopoem)

This is a video Marie Craven made for my poem “Below” found at The Poetry Storehouse. Needless to say, I was blown away by this and am very grateful for the time and effort she put into remixing my poem.

This is the second of my poems to be remixed into video lately (the first was a remix by NS of “A Necklace for the Goddess of the Empty Sea”) and the experience is fascinating. I don’t always feel like I know where my poems come from and sometimes I’m surprised to see what I’m thinking. It’s interesting, then, to find out what another artist sees in my work.

I’m filled enough with gratitude when someone takes the time to read what I’ve written, but it’s a humbling thing to know that someone has taken the time with it not just to read it but to try to know it and then bring it to life in a whole new way. So, thank you Marie for “Below” and also to NS for “Empty Sea” and for creating the soon-to-be-phased-out Poetry Storehouse. These are truly gifts that left me speechless.

Marie wrote up some process notes about the video on her blog, along with notes for two other videos she’s recently done. Three of Marie’s videos have appeared at Gnarled Oak, and you can see even more on her Vimeo page. Or explore her website, pixieguts.com, where you can check out her musical work too.

///

flower (videohaiku)

A few weeks ago, Dave Bonta put out a call for haiku based on a video clip with which he intended to experiment in an effort to develop a new approach to videohaiku. He wound up using lines that I supplied and we worked on editing and revising them to come up with the above video.

Dave wrote extensive process notes at Moving Poems, and I don’t have much to add other than that the collaboration was fun and produced an interesting result. Here’s Dave:

This collaboratively produced videopoem with text by James Brush represents a new approach to videohaiku for me: one in which the first part of the haiku is represented by film footage, which freezes and transitions to text roughly where a mid-poem kireji or cutting word would occur in a Japanese haiku.

[…]

James had started with a rather high-concept idea and pared it down in the course of three drafts. I suggested two further edits. What finally emerged was this:


how your hands burn
for the sun

with the ellipsis standing in for the footage of the baby in a meadow waving a daisy around. (One could even make it fit into a line: babe with a flower, say, or toddler in the yard.)

As I mentioned above, it’s a kick to have one’s words envideoed, and I’m grateful to Dave for taking the time to play with a few of mine. I’ll have to try this technique for myself sometime.

///

Two Poems Published

As mentioned yesterday, my poem “Sorrow” is in Right Hand Pointing Issue 82: an absence at the center. This is the second time I’ve had a poem appear at RHP and it is quite an honor to be there.

And finally, my poem “Trigger” was included in the anthology/prompt book/workbook Poem Your Heart Out (Words Dance Publishing anthology, Dec 2014). “Trigger” was the winner for April 29 in the Poetic Asides Poem-a-Day Challenge back in April. The book contains the 30 winning poems for the month. My Poems “Sticky Note” (April 3) and  “The Summer Forecast” (Apr 18) were finalists on their respective days.

Ok. Enough about me… go read Gnarled Oak.

A Necklace for the Goddess of the Empty Sea (Video Remix)

This is a video remix of my poem “A Necklace for the Goddess of the Empty Sea” made by NS. The poem can be found at The Poetry Storehouse, NS’s site that collects “great contemporary poems for creative remix” including a few of my own.

This is the first video made from one of my poems, and I was quite thrilled to see it. How fascinating and wonderful a thing to release one’s work and then have it come back like this. Truly, it made my day.

For those who may be interested, the poem was first “officially” published in August 2010 at Poets for Living Waters (along with two others) and was written in response to a prompt at the now-defunct Big Tent Poetry. Here are the process notes I wrote at the time:

This is for Big Tent Poetry’s weekly prompt. The form is called pantoum, and this is my first crack at one. I liked the repetitive spiraling nature of the form, which seemed an interesting fit for another of my post-apocalypse myths and legends poems (for want of a better term), though, I suspect pantoums are best kept short. The idea was to write in form about something that makes us angry so there’s some BP oil spill in this as well as a little bit of influence spilling over from Cormac McCarthy’s The Road and Stephen King’s The Gunslinger. Using form to tame emotion is a good idea, I think. I’ve tried to write about the BP spill, but its hard to maintain control. Form helps. So does 3rd person narrative and walking so far down the chain of effects that I’m in a different world by the time I begin to write.

Thanks again to NS for creating The Poetry Storehouse and for taking the time and care to create this beautiful video.

Along the Forest Parkway (Videopoem)

This is a video I made for a Tim Suermondt poem at The Poetry Storehouse. The readers are NS and Amy Miller. The music is “Simple Delayed Guitar + Violin Loop” by Candle Nine from Soundcloud. All of the pieces that comprised the video had been released under a Creative Commons: Attribution-NonCommercial-ShareAlike license (the same one used here at Coyote Mercury). That license makes projects like this possible.

The video came about quite by accident. I was playing with Hyperlapse on my phone while at ACL Fest, just experimenting during Gaslight Anthem’s set. Later I came across the Suermondt poem and thought that some of the images might work with the poem.

I also liked the fact that the poem had multiple readings because I wanted to see what would happen with two different and distinct voices. I tried them both, and opted for NS’s as the front in part because it was shorter, and I didn’t have much footage.

I edited to the rhythm of the words and the video. Then went searching for music. I wanted something with guitars, and the Candle Nine piece at Soundcloud worked well, and was the correct length. This was a fun one to put together, and I’m pleased with the result.

“A Ghazal On Birth Of The Buddha” Videopoem

This is a video I made based on Uma Gowrishankar’s “A Ghazal On Birth Of The Buddha: Bardo 3” from The Poetry Storehouse.

I had recorded a reading of the poem the previous week (along with a few others) with no intention of making videos because I didn’t have any time or ideas. But then while searching for some footage on Videvo for something else entirely, I came upon that clip that imagines an approach to the Milky Way. I’m an astronomy nerd and ever since traveling with Carl on the Ship of the Imagination, I’ve always liked this sort of thing.

I watched the clip a few times and started thinking about the poem, about the soul approaching the womb and how the stars in that footage move so fast that (I would think) the clip could encompass millions of years and so the whole thing started to seem like something that was completely outside of time and space. That reminded me of a line from the finale of Lost (which I’m re-watching): “There is no now here” which made me think of souls outside the body and outside time and space which led me back to Gowrishankar’s poem.

I had the reading and the footage so I put them together, but thought I needed something less spacey and metaphorical, which is why I added the audio of the fetal heartbeat. It seemed to ground the thing and make it more earthly, which is one thing I really like about the original poem.

It’s funny to me how things like this just kind of happen, and maybe this is the main thing I have to say about my creative process: I don’t always intend to write a poem or make a video, but then one thing leads to another: experience, image, something I read, something someone says and then the next thing I know there’s a poem or a video or something waiting to be written or made. I guess it all comes down to being open and willing. And then, as Stephen King says, showing up at the keyboard.

11.07.13 (videopoem)

autumn dragonfly
carried backwards on the wind
the pool is closed

///

I went for a walk at lunch today. That’s where I often gather my small stones. I found this one and, inspired by Angie Werren’s fine haiku videos, I made a video of it. I loved the simplicity of making this.

While Sitting in Church

My videopoem “While Sitting in Church” was featured yesterday over at qarrtsiluni as part of the Worship issue. The poem is from my Birds Nobody Loves series, which will hopefully soon become a short collection when I can find the time to finish it off. Anyway, check it out, and thanks to issue editors Kaspa and Fiona who accepted it within hours of my submission. I don’t think I’ve ever gotten an acceptance so fast. It’s a great issue they’ve put together so spend a while checking things out, especially Sherry Chandler’s “Doxology.”

While Sitting in Church (videopoem)

I made this back in March and never got around to uploading it and then forgot all about it until something sparked my memory yesterday. It’s based my poem of the same name, originally posted a little over a year ago. This is the second video I’ve made from my Birds Nobody Loves series (the first was “Chasing Westward”).

The images are photoshopped versions of some of my pictures of black and turkey vultures. I’m planning to use these as illustrations in the Birds Nobody Loves collection I’m slowly (so slowly) putting together.

The real purpose of this video was experimental. I wanted to try to figure out how to make my editing software do the “Ken Burns effect” that was so nicely done in “Beach/Snow” a beautiful video by Peter Stephens. It was complicated but once I had it figured out, it got a lot easier to get the pans and zooms I wanted.

The music is by Oleg Serkov downloaded from Jamendo and licensed under a cc-by-nc-sa license. This is the first time I’ve used Jamendo for music for a video. There’s a lot of good stuff there besides Mr. Serkov’s wonderful work.

As to the poem, it comes from the church I attended when I was in high school. It was built on the edge of a cliff overlooking Lake Travis. They built it lengthwise and placed the altar on the long side which was made entirely of glass so it was easy to let your mind wander out to the open sky above the lake where turkey vultures circled endlessly.

I’ve always found it strange that church is held indoors but that church anyway made it feel like you weren’t completely disconnected from the natural world, which is why I still consider it the most beautiful church I’ve ever seen.

It is also where my fascination with vultures began. Watching them each Sunday, thinking about their place in the scheme of things and watching their effortless flight, I couldn’t help but fall in love with them while witnessing in awe the sheer wonder and beauty of creation.

Fable (videopoem)

This is the videopoem I made for the Moving Poems contest. The poem is by Howie Good. The video, reading and uke strummin’ are me.

Chasing Westward

Chasing Westward

The vultures are heading west, their slow flying
shadow grace just an illusion of the blank sky.

Clock them. They’re racing away fast as thought.
Faster than often-repeated certainties and fears.

They escape with gizzards full, hurtling toward the sun,
shuttling some soul’s nourishing remains westward.

Out there, I hope, they’ll catch the day that never ends,
the place, I believe, night will never fall.

After sunset, I hear the rumbling highway, cars
chasing westward, chasing dreams, the fading light.

I wrote the poem the other day in response to some footage I shot a few months back. I was going to try letting the poem grow out of the video to see how that worked (there’s a great discussion on this over at the Moving Poems Forum), but as it turns out the footage I based the poem on is nowhere in this video.

Here’s how this video came about. Yesterday, I was sitting in traffic when my phone rang. After the call, I set the phone on the dash. While I was sitting there looking at it, I thought maybe I could turn the videocamera on and let it just film sky while I was driving. I did and whenever I came to a light, I’d just stop the recording and reset it in a different place, either on the dash or against the window. It never occurred to me until yesterday just how useful it is to have a perfectly flat camera.

By the time, I got home I had the footage and I thought this poem would work well with it.

The birds at the beginning are not vultures. They are grackles, and that was just a lucky shot. I’d love to have more than a few seconds of that, but they just happened to fly over at that moment. I didn’t even realize I had gotten them since I was watching the road. I left them in because I think it’s a cool shot and decided not to change the poem.

The grackles there work on another level for me too since this one feels like both a Highway Sky and a Birds Nobody Loves poem.

This videopoem is posted both at YouTube and Vimeo. Feel free to share it if you like it.

Older posts

© 2016 Coyote Mercury

Theme by Anders NorenUp ↑

%d bloggers like this: