Coyote Mercury

words, birds and whatever else by James Brush

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“Sorrow” at Right Hand Pointing

I’ve been neglecting the blog since the new year began and so I’m only just now getting around to sharing here that my poem “Sorrow” is in Right Hand Pointing Issue 82: an absence at the center. This is the second time I’ve had a poem appear at RHP and it is quite an honor to be there.

tree shadows
late sunset painted
on brick homes
Venus peeks out from
a cirrus curtain

the old dog’s ribs
shift with each breath
these long nights

A Necklace for the Goddess of the Empty Sea (Video Remix)

This is a video remix of my poem “A Necklace for the Goddess of the Empty Sea” made by Nic Sebastian. The poem can be found at The Poetry Storehouse, Nic’s site that collects “great contemporary poems for creative remix” including a few of my own.

This is the first video made from one of my poems, and I was quite thrilled to see it. How fascinating and wonderful a thing to release one’s work and then have it come back like this. Truly, it made my day.

For those who may be interested, the poem was first “officially” published in August 2010 at Poets for Living Waters (along with two others) and was written in response to a prompt at the now-defunct Big Tent Poetry. Here are the process notes I wrote at the time:

This is for Big Tent Poetry’s weekly prompt. The form is called pantoum, and this is my first crack at one. I liked the repetitive spiraling nature of the form, which seemed an interesting fit for another of my post-apocalypse myths and legends poems (for want of a better term), though, I suspect pantoums are best kept short. The idea was to write in form about something that makes us angry so there’s some BP oil spill in this as well as a little bit of influence spilling over from Cormac McCarthy’s The Road and Stephen King’s The Gunslinger. Using form to tame emotion is a good idea, I think. I’ve tried to write about the BP spill, but its hard to maintain control. Form helps. So does 3rd person narrative and walking so far down the chain of effects that I’m in a different world by the time I begin to write.

Thanks again to Nic Sebastian for creating The Poetry Storehouse and for taking the time and care to create this beautiful video.

11.26.14

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Protected: Sorrow

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the moon
cradled in elm
branches

plastic ghosts
sway on the wind

long autumn
shadows

full trees still
cling
to summer

a sulphur butterfly
rides prairie wind

late sunflowers
lean heavy
against a barbwire fence

everyone’s asleep
my footsteps in the dark house
the box fan rattles

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