I walked the length of Japan
said Fitbit’s email
I walked the length of Japan
said Fitbit’s email
I’ve been remiss in updating this here blog, so, here’s some cool stuff…
This is a video Marie Craven made for my poem “Below” found at The Poetry Storehouse. Needless to say, I was blown away by this and am very grateful for the time and effort she put into remixing my poem.
This is the second of my poems to be remixed into video lately (the first was a remix by Nic Sebastian of “A Necklace for the Goddess of the Empty Sea”) and the experience is fascinating. I don’t always feel like I know where my poems come from and sometimes I’m surprised to see what I’m thinking. It’s interesting, then, to find out what another artist sees in my work.
I’m filled enough with gratitude when someone takes the time to read what I’ve written, but it’s a humbling thing to know that someone has taken the time with it not just to read it but to try to know it and then bring it to life in a whole new way. So, thank you Marie for “Below” and also to Nic for “Empty Sea” and for creating the soon-to-be-phased-out Poetry Storehouse. These are truly gifts that left me speechless.
Marie wrote up some process notes about the video on her blog, along with notes for two other videos she’s recently done. Three of Marie’s videos have appeared at Gnarled Oak, and you can see even more on her Vimeo page. Or explore her website, pixieguts.com, where you can check out her musical work too.
A few weeks ago, Dave Bonta put out a call for haiku based on a video clip with which he intended to experiment in an effort to develop a new approach to videohaiku. He wound up using lines that I supplied and we worked on editing and revising them to come up with the above video.
Dave wrote extensive process notes at Moving Poems, and I don’t have much to add other than that the collaboration was fun and produced an interesting result. Here’s Dave:
This collaboratively produced videopoem with text by James Brush represents a new approach to videohaiku for me: one in which the first part of the haiku is represented by film footage, which freezes and transitions to text roughly where a mid-poem kireji or cutting word would occur in a Japanese haiku.
James had started with a rather high-concept idea and pared it down in the course of three drafts. I suggested two further edits. What finally emerged was this:
how your hands burn
for the sun
with the ellipsis standing in for the footage of the baby in a meadow waving a daisy around. (One could even make it fit into a line: babe with a flower, say, or toddler in the yard.)
As I mentioned above, it’s a kick to have one’s words envideoed, and I’m grateful to Dave for taking the time to play with a few of mine. I’ll have to try this technique for myself sometime.
And finally, my poem “Trigger” was included in the anthology/prompt book/workbook Poem Your Heart Out (Words Dance Publishing anthology, Dec 2014). “Trigger” was the winner for April 29 in the Poetic Asides Poem-a-Day Challenge back in April. The book contains the 30 winning poems for the month. My Poems “Sticky Note” (April 3) and “The Summer Forecast” (Apr 18) were finalists on their respective days.
Ok. Enough about me… go read Gnarled Oak.
late sunset painted
on brick homes
Venus peeks out from
a cirrus curtain
the old dog’s ribs
shift with each breath
these long nights
This is a video remix of my poem “A Necklace for the Goddess of the Empty Sea” made by Nic Sebastian. The poem can be found at The Poetry Storehouse, Nic’s site that collects “great contemporary poems for creative remix” including a few of my own.
This is the first video made from one of my poems, and I was quite thrilled to see it. How fascinating and wonderful a thing to release one’s work and then have it come back like this. Truly, it made my day.
For those who may be interested, the poem was first “officially” published in August 2010 at Poets for Living Waters (along with two others) and was written in response to a prompt at the now-defunct Big Tent Poetry. Here are the process notes I wrote at the time:
This is for Big Tent Poetry’s weekly prompt. The form is called pantoum, and this is my first crack at one. I liked the repetitive spiraling nature of the form, which seemed an interesting fit for another of my post-apocalypse myths and legends poems (for want of a better term), though, I suspect pantoums are best kept short. The idea was to write in form about something that makes us angry so there’s some BP oil spill in this as well as a little bit of influence spilling over from Cormac McCarthy’s The Road and Stephen King’s The Gunslinger. Using form to tame emotion is a good idea, I think. I’ve tried to write about the BP spill, but its hard to maintain control. Form helps. So does 3rd person narrative and walking so far down the chain of effects that I’m in a different world by the time I begin to write.
Thanks again to Nic Sebastian for creating The Poetry Storehouse and for taking the time and care to create this beautiful video.
cradled in elm
sway on the wind
full trees still