Coyote Mercury

words, birds and whatever else by James Brush

Tag: poetry storehouse

Gasolina/For Gasoline

Here are two takes on my poem “For Gasoline” from my collection Highway Sky and made available for creative remix at the (now defunct) Poetry Storehouse.

In the first, Eduardo Yagüe translated the poem into Spanish and then made the video from the translation. The second is an English-language version (using the audio I’d provided to the Poetry Storehouse) that includes the text of Eduardo’s translation and was made by Javi Zurrón.

It’s a wonderful thing to see how other artists reinterpret one’s work in new and surprising ways. Thank you Eduardo for making this happen!

 

 

Update: 12.9.16: These videos are featured at Moving Poems today. Thank you, Dave.

Highway Sky: Creative Commons, Remix & Resources

 

That’s the video I made for “God Bless Johnny Cash” which is now part of Highway Sky. It’s the first video poem I ever made, and while it’s a bit rough, I still kind of dig it. Along with “Chasing Westward,” I’ve made two videos for the Highway Sky poems, but what really excites me is the idea of creative remix, which is why the poems in Highway Sky are all licensed under the Creative Commons Attribution-ShareAlike-NonCommercial license.

I was inspired by the example of The Poetry Storehouse and its radical sharing/remix culture based on the same Creative Commons license used for Highway Sky. I participated in The Poetry Storehouse as a poet, reader, and remixer and found the whole experience to be so wonderful that I wanted to release Highway Sky under the same terms and see what, if anything might come of it. (Incidentally,  “For Gasoline” and “angels” are available for remix there along with a few of my other poems).

So, for anyone interested in remixing anything in Highway Sky, I offer the following resources:

Text

Free PDF version of Highway Sky (please note, the cover photo is copyrighted by the photographer and the Creative Commons License does not apply to it)

Additionally, early drafts of many of the poems can be found here under the tag highway sky draft poems

Audio

These are all of me reading some of the poems:

“For Gasoline” (text available at The Poetry Storehouse)

download

“Angels” (text available at feathers & The Poetry Storehouse)

download

“Night at the Interstate Diner” (text available at qarrtsiluni)

download

U.S. Highways

download

Chasing Westward

download

 

Of course, please abide by the terms of the license, and if you want to make a hit song, broadway musical, or some other commercial product out of any of my poems, you’ll need to get in touch with me. But we’ll be able to work something out.

And, while we’re at it, here’s the video I made for “Chasing Westward” which is also included in my short collection Birds Nobody Loves.

“Chasing Westward”

 

Two Videopoems and Two Poems Published

I’ve been remiss in updating this here blog, so, here’s some cool stuff…

Below (videopoem)

This is a video Marie Craven made for my poem “Below” found at The Poetry Storehouse. Needless to say, I was blown away by this and am very grateful for the time and effort she put into remixing my poem.

This is the second of my poems to be remixed into video lately (the first was a remix by NS of “A Necklace for the Goddess of the Empty Sea”) and the experience is fascinating. I don’t always feel like I know where my poems come from and sometimes I’m surprised to see what I’m thinking. It’s interesting, then, to find out what another artist sees in my work.

I’m filled enough with gratitude when someone takes the time to read what I’ve written, but it’s a humbling thing to know that someone has taken the time with it not just to read it but to try to know it and then bring it to life in a whole new way. So, thank you Marie for “Below” and also to NS for “Empty Sea” and for creating the soon-to-be-phased-out Poetry Storehouse. These are truly gifts that left me speechless.

Marie wrote up some process notes about the video on her blog, along with notes for two other videos she’s recently done. Three of Marie’s videos have appeared at Gnarled Oak, and you can see even more on her Vimeo page. Or explore her website, pixieguts.com, where you can check out her musical work too.

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flower (videohaiku)

A few weeks ago, Dave Bonta put out a call for haiku based on a video clip with which he intended to experiment in an effort to develop a new approach to videohaiku. He wound up using lines that I supplied and we worked on editing and revising them to come up with the above video.

Dave wrote extensive process notes at Moving Poems, and I don’t have much to add other than that the collaboration was fun and produced an interesting result. Here’s Dave:

This collaboratively produced videopoem with text by James Brush represents a new approach to videohaiku for me: one in which the first part of the haiku is represented by film footage, which freezes and transitions to text roughly where a mid-poem kireji or cutting word would occur in a Japanese haiku.

[…]

James had started with a rather high-concept idea and pared it down in the course of three drafts. I suggested two further edits. What finally emerged was this:


how your hands burn
for the sun

with the ellipsis standing in for the footage of the baby in a meadow waving a daisy around. (One could even make it fit into a line: babe with a flower, say, or toddler in the yard.)

As I mentioned above, it’s a kick to have one’s words envideoed, and I’m grateful to Dave for taking the time to play with a few of mine. I’ll have to try this technique for myself sometime.

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Two Poems Published

As mentioned yesterday, my poem “Sorrow” is in Right Hand Pointing Issue 82: an absence at the center. This is the second time I’ve had a poem appear at RHP and it is quite an honor to be there.

And finally, my poem “Trigger” was included in the anthology/prompt book/workbook Poem Your Heart Out (Words Dance Publishing anthology, Dec 2014). “Trigger” was the winner for April 29 in the Poetic Asides Poem-a-Day Challenge back in April. The book contains the 30 winning poems for the month. My Poems “Sticky Note” (April 3) and  “The Summer Forecast” (Apr 18) were finalists on their respective days.

Ok. Enough about me… go read Gnarled Oak.

A Necklace for the Goddess of the Empty Sea (Video Remix)

This is a video remix of my poem “A Necklace for the Goddess of the Empty Sea” made by NS. The poem can be found at The Poetry Storehouse, NS’s site that collects “great contemporary poems for creative remix” including a few of my own.

This is the first video made from one of my poems, and I was quite thrilled to see it. How fascinating and wonderful a thing to release one’s work and then have it come back like this. Truly, it made my day.

For those who may be interested, the poem was first “officially” published in August 2010 at Poets for Living Waters (along with two others) and was written in response to a prompt at the now-defunct Big Tent Poetry. Here are the process notes I wrote at the time:

This is for Big Tent Poetry’s weekly prompt. The form is called pantoum, and this is my first crack at one. I liked the repetitive spiraling nature of the form, which seemed an interesting fit for another of my post-apocalypse myths and legends poems (for want of a better term), though, I suspect pantoums are best kept short. The idea was to write in form about something that makes us angry so there’s some BP oil spill in this as well as a little bit of influence spilling over from Cormac McCarthy’s The Road and Stephen King’s The Gunslinger. Using form to tame emotion is a good idea, I think. I’ve tried to write about the BP spill, but its hard to maintain control. Form helps. So does 3rd person narrative and walking so far down the chain of effects that I’m in a different world by the time I begin to write.

Thanks again to NS for creating The Poetry Storehouse and for taking the time and care to create this beautiful video.

Along the Forest Parkway (Videopoem)

This is a video I made for a Tim Suermondt poem at The Poetry Storehouse. The readers are NS and Amy Miller. The music is “Simple Delayed Guitar + Violin Loop” by Candle Nine from Soundcloud. All of the pieces that comprised the video had been released under a Creative Commons: Attribution-NonCommercial-ShareAlike license (the same one used here at Coyote Mercury). That license makes projects like this possible.

The video came about quite by accident. I was playing with Hyperlapse on my phone while at ACL Fest, just experimenting during Gaslight Anthem’s set. Later I came across the Suermondt poem and thought that some of the images might work with the poem.

I also liked the fact that the poem had multiple readings because I wanted to see what would happen with two different and distinct voices. I tried them both, and opted for NS’s as the front in part because it was shorter, and I didn’t have much footage.

I edited to the rhythm of the words and the video. Then went searching for music. I wanted something with guitars, and the Candle Nine piece at Soundcloud worked well, and was the correct length. This was a fun one to put together, and I’m pleased with the result.

On Reading for The Poetry Storehouse

Recently, I spent some time learning and reading poems from some other poets whose work I admire. I found the poems at The Poetry Storehouse (where a few of mine can be found too) a site created by NS and dedicated to bringing poetry off the page and into new venues. There’s a bunch of work licensed under the creative commons license, and it’s all available for remix–audio, video, whatever–so long as it’s for noncommercial use.

So, I went and did some looking and read the following poems:

A Ghazal On Birth Of The Buddha: Bardo 3
 by Uma Gowrishankar
Skimming by Janeen Rastall
Horses by Kristine Ong Muslim
my days are flocks of starlings by NS

I recorded a couple last spring and again, this was a cool thing to do. It is one thing to read a poem, even read it over and over again to oneself, but to say the words, over and over and then to hear yourself say them and then to say them again (the repetitions required to get a satisfactory reading) is to go farther into the poem than you might have imagined was possible. Suddenly, you start to see the things between the lines and letters. Sometimes, you stop in your tracks mid-read and realize you have to start over. That’s a good thing.

In each case, I started by just recording the lines in my classroom while I have it to myself during lunchtime. But with each subsequent reading, I found myself feeling the poems more as the speaker rather than an outside reader. I suppose it must be a bit like this for an actor learning a character, moving from reader to this other self that exists in the lines of the poem.

I don’t know if this is how poetry reading should be done, but it makes sense to me to think of a poem as something that is said or told as if letting the audience in on some secret rather than recited or pronounced (in the sense of pronouncement). When I read to my students, this approach seems to work best for them. They actually listen.

The best thing about this is that by the end, when I sit back and listen, I feel like I’ve come to understand the poem in a way I hadn’t before. As if now, I’ve really walked that mile in the other’s shoes. This came about most especially when I was working on Gowrishankar’s poem. It’s one thing to get the idea of reincarnation of the soul as an outsider, but reading the poem aloud and then listening to it helped me feel it in a more personal way.

So, thank you to NS for creating the Storehouse and to the poets who’ve posted their work for others like me to experiment with. And if you’re reading this, consider paying a visit and listening or watching what’s been done, and perhaps even add your own contribution.

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