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Year: 2010

A Minor Head Injury (or So They Tell Me)

January 1991.

After the emptiness, the biblical chaos of time before creation, movement or matter, there was a light and it was blue.  It was good.  Bright deep blue. The screen thrown up by a failing hard drive.

The blue overflowed my eyes and filled my senses like sparkling water on a Caribbean day.  The blue flickered and popped.  It sometimes disappeared and then flared back across my vision like a tin of paint tipped sideways.  Occasionally, a solid cloud—yes, clouds so we must be dealing with sky—chiseled like marble suspended by invisible tethers would appear to break up the infinite beauty of blue.  The periods of blue were short and often replaced by longer periods of black in which there was no sound, only the nauseating sweep of free-fall.

“Trailers for sale or rent,” my voice sang.

Black.

Blue: “Rooms to let, fifty cents”

Black.

Blue: “phone, nor pets; I ain’t got no…”

Black.

Blue: “cigarettes.  King of the Road.”

Treetops appeared and disappeared on the searing edges of the blue.  Snow covered pine tips stood out against the azure sky like sterile needles rushing overhead.  I wondered what the bottoms of the trees looked like.  I closed my eyes.

“Killington, Vermont,” I guessed.

“I don’t know where that is,” a voice said.

“No, wait… Colorado?”

Blue: “I don’t pay no union dues.”

I was flying now, the trees nothing but a blur.  I attempted to sit up, but a thousand hammers crashed on my sternum and I fell back, gasping for air like a landed fish.  The lights went out.

When I heard the sound of an engine rattling, I opened my eyes again and stared at a group of men and women, scraggly and bundled in flannel, who looked at me through the dim gloom.  I couldn’t make out what lay behind them.

“It’s a Willie Nelson tune,” one of them stated with authority.

Uneasy laughter, then: “No, no, it’s that guy… Roger Miller.  Y’know, ‘King of the Road’”

“I ain’t got no cigarettes,” I said as if stating my name.

A woman leaned over and I stared up at her red face as she peered into my eyes.  I didn’t like the red cross emblazoned on her cap, nor the words ‘SKI PATROL’ stenciled underneath.  Again, I tried to sit, to swim for the beckoning surface of lucidity, but I was pulled down into the muck of half-remembered country lyrics and confused notions about who I was before I could break that glassy surface.

When my eyes opened, I stared up at the florescent tubes humming their official song of cold efficiency like a nest of bees contained.  I watched the tubes and listened to the hurried voices that came from remote lands around my scattered perception.

“Get out the way!”

“Hey, I need a hand!”

“STAT!”

It’s never a good situation when people are saying, ‘STAT’.  I waited for the word to be finished: STAT-ue, STAT-istic, STAT-ic.  But it was always just, “STAT.”

My head flopped to the side and my eyes focused on the gurney’s shiny chrome railing.  Beyond it, a familiar face.  Eric’s eyes were open and there was blood and ice in his blonde hair.  I watched him but I was afraid to speak. He stared back at me.

“What’s happening,” I asked with increasing alarm.

I waited for a flood of memories to come back, but instead I got nothing more than a shallow creek.  I came up against the black wall that curtained off the parts of memory that might give me answers.

“We’re hosed,” he whispered.  “I can’t move.”

Suddenly, I was moving.  I watched as his head disappeared, then his lift tickets attached like badges to his blue bib, then his socks… where were his shoes? My gurney rushed through the ER, confusing the sounds and blurred images of hurried people and intercom imperatives with the Doppler trails of scurrying doctors.  I felt sick. I gave up.

Black.

Blue: “Every door that ain’t locked when no one’s around.”

“You shouldn’t let yourself go out when you hit your head,” a gentle voice said, echoing through black veils.

“I can’t help it.”

“Try.”

I knew the voice from some hospital TV show.  It was Hawkeye.  I smiled.  I knew I would be in good hands with the best chest cutter in Korea working on me.  I would be getting a purple heart and the Army would be sending me—

“Sit up,” Hawkeye said.

I opened my eyes and found myself disappointed to be staring at an old pale-faced doctor with thinning red hair.  Not Hawkeye.  Not even Alan Alda.

“Feeling better?”

“My chest,” I mumbled.  I realized I was able to sit and stay awake at the same time.

“You and your buddy crashed into each other on a little connecter slope.”  His tone said, ‘stupid tourists.’

“Is Eric okay,” I asked.

“Concussion.  Same as you.  I’m giving you a prescription for Tylenol with codeine.  Don’t ski tomorrow, and don’t sleep more than two hours at a stretch.”  He smiled, but it wasn’t pleasant.  He obviously thought I was getting what I deserved for skiing recklessly on his slopes.

Two days later under the bright Colorado sun, I rode up the chairlift as if for the first time.  The codeine-altitude combination created a euphoric spinning sensation as we glided to the top where I put my skis down into the powder and coasted off the lift.  I turned a hard right and followed my friends down a connecting slope to a second lift, which would take us higher up the mountain.  We rounded a wide bend and skied down a ridge to a small place where a sheer rock wall rose thirty feet above us.  The other side of the trail dropped fifty feet to the snowy treetops below.

“Right here,” Jason said.

“What exactly happened,” I asked.

“You guys came flying down that ridge and nailed each other in the air.”

I shook my head and looked at Eric.  He shrugged.

I looked at the wholly unfamiliar place.  The codeine temporarily kept me from dwelling much on it.  I pushed on my poles and continued toward the chairs that would ferry me higher up that mountain that still exists in my mind as a dark crag upon the range of my otherwise clear memories as if a storm permanently dwells over that one spot.  It is a piece of my life that, like childhood, only exists in the memories and recollections of others.

More than anything else, I realize how desperately we need our stories.  Oh, we may (and will) edit them, polish and rewrite them for general consumption, but the fact remains: our stories are the truth of who we are.  Just as a writer cannot abide a blank piece of paper (or a white screen), neither can our souls bear a blank spot on the endless recorder of our memories.  We must fill those gaps with something whether it is pure invention, or fragments cobbled together into a narrative based on stories told us by trusted friends.  Without our stories we are lost.

Proof:  A medical bill and a photo of me, greenish from the low Kelvin light of the hospital tubes.  A photo of me staggering uncertainly through a Colorado ER, a frown on my face and a middle finger stuck towards the camera.

Louie Mueller BBQ in Taylor

Texas flag at Louie Mueller BBQ

A smoke-filled room and shafts of sunlight from gaps in the black paint on the windows and skylight greet you as you walk into Louie Mueller Barbecue in Taylor, TX, one of my favorite corners of the Barbecue rectangle surrounding Austin.

When I used to teach out in Taylor, we’d sometimes go to lunch at Louie Mueller on teacher workdays. It was easy to tell who had gone because they smoke their brisket inside the building so you walk out even after a short lunch smelling like a barbecue pit.

We went for lunch last week, which was the first time I’d been out there since I quit teaching at Taylor High and since then, the Food Network has featured Louie Mueller on Diners, Drive-ins and Dives so they were more crowded than I thought they’d be what with the SXSW crowd who’d made the drive out of Austin, but the line moved reasonably fast and the wait gave more time for anticipation and a little iphone photography of the flag above and the business cards on the wall, browned by years in the smoke.

When you reach the front of the line, they cut you a piece of brisket to sample before you order, but my decision was made: brisket sandwich, chipotle sausage, potato salad, slaw and iced tea. It was as good as I remembered.

Some things never change and that’s a beautiful thing.

Business cards at Louie Mueller BBQ

Sentences and Corrections

The guy from the attorney general’s office
blamed the nouns, sources of all trouble—
people, places, things.

Combined with certain verbs—
assault, distribute, trespass and possess—
these nouns form gangs of complex sentences,
fragments of lives half-lived and run-ons
rambling through the detritus of car crash lives.

The simplest, though, tell of kids locked up,
looking out at the free, positions of attention
in the parking lot, half-listening
to mockingbirds refining their own syntax
as they mimic the ringing fire alarm
while we wait to go back inside
where we’ll try, again, writing

sentences that don’t mimic the past,
sentences that aren’t destinies.

The Lost Book Club: Haroun and the Sea of Stories

Salman Rushdie’s Haroun and the Sea of Stories is the book Desmond was reading on the plane in the Season 6 opener “LA X.” The scene occurred in the alternate reality timeline, and the book provides some insight into what is going on.

Haroun’s father Rashid Khalifa, The Shah of Blah, is a master storyteller, but when Rashid’s wife leaves him for another man, he loses his ability and desire to tell stories, especially after Haroun disparagingly asks, “What’s the use in stories that aren’t true.” One night, the water genie Iff comes to disconnect Rashid from the Source of the Stream of Stories by a P2C2E (Process Too Complicated To Explain) but before Iff succeeds, Haroun steals the genie’s disconnection tool and demands that his father be allowed to continue telling stories.

Haroun joins Iff on a journey to Katani, Earth’s hidden moon, where the Ocean of Stories (from which the streams flow) has been contaminated by the cult master Kattam-Shud who leads the silent Chupwalas and their shadow warriors against the good story-loving Guppees. Haroun, Rashid, Iff, Blabbermouth and Butt the Hoopoe must stop the cult master, rescue an annoying princess and purify the Streams of Story so that Rashid can have his gift back.

The book, which was a thoroughly enjoyable work of magical realism aimed at young readers (Rushdie wrote it for his son), provided some interesting insights into Season 6 of Lost, though it would have been more helpful to have read it sooner.

The main thing I keep thinking about is the idea of pollution in a stream of stories. The flash-sideways reality we’ve been seeing on Lost all season is a version of reality that isn’t quite what it should be, a situation similar to what Haroun finds in the various polluted stories he encounters. Ultimately, his adventures take him to the source of the Streams of Story from which all stories originate. If he can prevent Kattam-Shud from plugging this source, the stories will cleanse themselves and all will be right again.

This is a notion strikingly similar to the idea of the universe course-correcting, a notion Lost has been playing with since Desmond slipped out of time in Season 3. At this point, I’m thinking that the flash-sideways reality is a stream of story that will probably correct itself when Locke, Lost‘s own Kattam-Shud, cult master and lord of shadows is defeated. Perhaps the island is some kind of spacetime source for various realities and existences. Or something.

Haroun and the Sea of Stories is at heart about the balancing of opposing forces—speech and silence, light and darkness—and how that balance is necessary to life. Lost has played with these ideas since its very first season and while Anti-Jacob/Locke has thrown the Island and possibly the world out of balance, it seems likely the rest of the series will focus not so much on destroying Locke but on balancing out his penchant for destruction in much the way that Jacob maintained the balance prior to his death at the end of Season 5.

The only other thing that leapt out at me was Haroun’s question to his father about the use in stories that aren’t true. That’s one that many of us viewers, confused by the role of the flash-sideways storytelling, have asked this season. It’s a fair question to which I think Brian at Lost…and Gone Forever has presented the best answer thus far in his excellent analysis of last week’s “Dr. Linus”:

Seeing Flash Sideways Ben choosing Alex’s well-being over gaining power for himself reminds us that he did the exact opposite the first time we saw him faced with the same situation. Seeing him making friends with Arzt and having a – well let’s call it “decent” – relationship with his father makes us realize just how alone he is on the Island right now… which made his breakdown scene with Ilana all the more powerful. He gave up everyone and everything for the Island – and look where it left him. Alone and lost in life (pun somewhat intended).

In short, the Flash Sideways actually served to make the On-Island storyline better, just like the original Season One Flashbacks did. By learning about our Survivors’ pasts, we understood their presents much better. Likewise, by seeing “what could have been” with Benjamin Linus this week, understand his present condition much better.

Which is, I think, the “use of stories that aren’t even true.” Perhaps that’s why “Dr. Linus” is my favorite episode (so far) of this season and one of my favorites from the series.

Next up: Deep River by Shusaku Endo.

Be sure to check out the rest of my Lost Book Club posts.

Friday Hound Blogging: Walking, Becoming

Joey, Wolf and Phoebe.

They’re tired from walking, probably. Tired enough that Joey isn’t growling at Phoebe for touching him while he tries to sleep. It seems we’ve all come a long way and I’m not just talking about walking.

We started taking the dogs with us on some of our long walks up and down the neighborhood trails lately. This is new for the pups. R and I walk the trails, but in the past the dogs have typically been too afraid to proceed too far into the teeth of whatever dragons lie on the county regional trail that our neighborhood trails connect to. There could be monsters. Greyhound-eating monsters.

For years we’ve accepted their trepidation and stuck with short walks around the block, but a few weeks ago—to our delighted surprise—Joey and Phoebe were willing to accompany us for several miles and they did this with no tail-tucking or application of the greyhound brakes. This is a far cry from the time I had to carry all 65 pounds of Phoebe half a mile home because she got spooked by a leaf blowing across the street.

We’ve taken them on more walks since, and they’ve been eager to go and enjoyed being out and about. I realized we’d been letting them be the pups they were when we got them and we’d somehow forgotten to recognize how much they’ve run away from being scared (and scarred) ex-racers to becoming just normal dogs. As normal as a lazy stubborn skinny needle-nosed speed pup can be anyway.

Sometimes it seems those changes, those moments of becoming, happen so gradually those closest can miss their occurrences, allowing ourselves to get stuck in the way we’re used to knowing the world. Fortunately for us, we’ve realized how willing they are to adventure out of their normal walks because there’s just something primal and wonderful about a good long walk with a dog whose enthusiasm and simple awareness of the world makes time spent outdoors that much sweeter, something I haven’t experienced since my days hiking with Zephyr.

It’s good to have walkin’ dogs again even if it does make them lazier than ever before. Something I hadn’t previously thought possible.

[saveagrey]

Listing

Red-eared Pond Sliders

On Sunday, we visited the Lady Bird Johnson Wildflower Center with the family. The kids were fascinated by the turtles hanging out on the edge of a pond. I saw the red stripes behind the eyes and the birder in me thought, “Wow. That’s a convenient field mark.” Of course, I had no idea what kind of turtles these were or what that red stripe might signify.

My three-year-old niece had her own opinion about what kind of turtles these were. The big one was the daddy, the medium one was the mommy and the baby was on his mommy’s back. She pointed out another turtle basking alone on the other side of the pond and told us that that one was in time out.

We walked around the grounds and I began to wonder why I don’t keep lists and try to identify other animals as I’ve done with birds the past three years. I’ve learned so much about birds—their varieties, habits and habitats and where they fit into their ecosystems. This doesn’t even factor in how I’ve honed my observational skills. I want to know the world, not just one class of its animals.

After observing a Western Scrub Jay perched atop one of the live oaks—my first life bird for 2010—I decided, why not start life lists for the other classes. As with birds, I don’t intend to go chasing around trying to hit a certain number or goal, I just want to know what I see. I want to know this world, especially the little piece of it I call home. I want to know it on a deeper level than just turtle, bug or bat.

When we got home, I broke out my Audubon Society field guide to reptiles and amphibians.  The turtles we had seen were Red-eared Sliders, a subspecies of Pond Sliders (Trachemys scripta elegans). I’ve seen them before and even posted a picture last year, though back then it was just a turtle. These Red-eared sliders are actually the turtles I see most frequently on my walks around the neighborhood, usually stacked up on the spillway in the pond. They were even the subject of a micro-poem that was featured at a handful of stones.

I’m going through the guides now, trying to seed my lists with the species I know I have seen. There are many I’ve only seen on a superficial level, but the ones I’ve seen, I’m now taking the time to read a little bit about. It never ceases to amaze me how much there is to see and how easily it can be taken for granted.

A Trip to the Zoo

I still remember the day my grandpa took me to the zoo to see all the animals. We started in the aviary. He opened drawer after drawer, pulling withered birds from thin glass formaldehyde-filled tombs. I stared in wonder at their soggy bodies and imagined them flying through the air singing their forgotten songs while he read the tags attached to their legs by thin pieces of wire.

Aren’t they beautiful, he whispered, holding them out for me to admire one-by-one. Here in his wizened old hands were the passenger pigeon, the Carolina parakeet, the dusky seaside sparrow, the Bachman’s warbler, the Eskimo curlew, the great auk, the Labrador duck, the ivory-billed woodpecker. He told me how someday their DNA would be used to bring them back, but he didn’t believe it any more than I did; it was only rote justification recited like a verbal ghost dance, a spell to ward away despair.

In another drawer, he showed me the tufted titmouse, northern cardinal, turkey vulture, house sparrow and common grackle. I marveled at the play of light in the grackle’s iridescent feathers, moving my head back-and-forth to find the place where purple became black, all the while wondering at the beauty the thing must have once possessed. I’m sorry, Grandpa said over and over again, looking away from dead eyes and knowing that these birds would only ever fly again in the memories of his generation, a generation soon to be consigned to its own silent aviaries.

I’m sorry, he kept repeating as his shaky hands placed the bird back with the rest of its flock. I’m so sorry. I couldn’t bear to see him this way so I just asked him if we could go see the tigers and bears next. Maybe get a hot dog.

Old Photo Friday (Bataan, Philippines: 1982)

Friendship Tower of Bagac, Bataan, Philippines. 1982.

I found this while flipping through the old photo albums. It’s a picture of the Friendship Tower of Bagac in Bagac, Bataan, Philippines. It was dedicated in 1975 as a monument to peace and friendship between the Philippines and Japan.

I took the picture in spring 1982 with my old Kodak 110 Instamatic. I took three pictures of it and as soon as they came back, I taped them together to make this collage in an attempt to capture the whole thing. Not bad for an eleven-year-old.

We moved to Subic Bay Naval Base in the Philippines in 1979. In that time and place World War II was still close at hand. Only thirty-four years had passed, which to an eight-year-old represented several lifetimes but now doesn’t seem like much time at all. About the same as the span of years stretching from this moment back to ’82.

Physically, World War II was everywhere: relics, monuments and blood dried into the soil. In those years after Vietnam, I’m sure it was the war people on base preferred to remember. To a child, though, it existed in a dream world between heroic fantasy and rusted reality.

The fantasy came from books and stories seasoned with a little bit of Dungeons & Dragons-inspired battle romance. We read the books, enacted our war games wearing camouflage and rank insignia we’d pinched from our dads, and fought each other with mangos, avocados and guavas plucked from trees.

Despite the games, though, there was also the undeniable reality of the whole thing lingering in the air and throughout the jungle we were all strictly forbidden to enter. I remember one day hiking with my scout troop on Grande Island, a small resort—formerly a fort—island in the mouth of Subic Bay. We found an overgrown bunker facing toward the sparkling South China Sea complete with a gun emplacement rusted orange and ruined by years left to the rainy season’s whims. Had anyone fought there? Had anyone died?

Along the trail of the Bataan Death March. 1982

These were questions that rattled through my mind when I participated in the annual reenactment of the Bataan Death March by scout troops from throughout Southeast Asia. My troop participated each year, and I was as excited as could be in 1982, when I was old enough for several grueling days of hiking.

The real Bataan Death March occurred in 1942 when Japanese forces captured over 70,000 Filipino and American soldiers after the Battle of Bataan and marched them to prison camps. Along that route, thousands were killed or died of starvation and disease.

Forty years later, we camped on the beach, played D&D in our tents and each morning after breakfast, we were bused to wherever we’d left off the previous day to trace the route of the death march. I remember it as exhausting and yet throughout, I had the awareness that this was nothing next to what those victims and survivors of the real Bataan Death March endured.

Somewhere along those dusty Philippine roads my fascination with war turned to recoiling as I realized it was one thing to reenact battles with my friends, but quite another to walk endless miles along a trail of brutality, hopelessness and murder. I think it was then that the idea of war began to move from fantasy to nightmare as we walked through Bataan imagining the sheer horror of the reality our reenactment was meant to remember.

It was quite a walk for an eleven-year-old with a vivid imagination, but I think I learned more about the cost of war than I ever did from books or school.

Along the trail of the Bataan Death March. 1982

There’s another Old Photo Friday from 2006 featuring a picture from the Bataan Death March.