I don’t know what it is about long-legged waders that inspires me to write odd haibun, but here’s “The Cattle Egret” appearing in the ‘Animals in the City’ issue of qarrtsiluni.
Even cooler is sharing the day with Deb Scott and her beautiful work, and be sure to check out this one by Joseph Harker. Hell, just read the whole issue.
If you like egret haibun thing, I had another one published in qarrtsiluni back in 2011 and there’s one here too.
I and the Bird is up with an issue devoted to vultures:
The Cherokee nation called them “Peace Eagles” owing to the fact that they never killed a living thing – and also that they tended to show up in numbers after battles when peace treaties were being signed, though admittedly that may have been for a slightly more macabre reason. In any case, our hang-ups with vultures clearly stem from our own issues rather than any inherently bizarre trait of the species themselves.
It’s a great issue full of links to all kinds of vulture photos and posts including my video “While Sitting in Church,” which is based on one of the Birds Nobody Loves poems. Go pay a visit and learn more about our fascinating carrion-eating friends.
the gear turner’s burden
is a wrench and lonely work
on the plains beyond
old 66 where grass
fire prays the flowers
into smoke he turns
his shoulder to his work
where he sweats the ground
grows mud he knows
the hoarse and tired voices
calling from the gears
creaking aching groaning
rusty throats and steel tongues
pinned and staked
burned and buried all the years
forgotten when the earth closed
healing on their work
in strange articulation
the gear turner hears a song
the old machines the old machines
he’ll whisper to the others
when evening fires burn low
he’ll creak and groan
in steel tongue stolen
riddles to their questions
—
This is another poem based on the image in The Mag #109. I did another one from this same photo last year.
My Headache
I talk freely
I talk fluently
I talk to God
I swore, and the noise arose
I thought I was better
than those smiles,
this heart
///
–Erasure Poem made from Poe’s “The Tell-Tale Heart.” One poem per page from The Essential Tales and Poems of Edgar Allan Poe (Barnes & Noble, 2004)
This is the final erasure poem from Poe’s “Tell-Tale Heart.” It’s been an interesting experiment creating these. I chose the story because it was short, I knew I’d have time to do it, and I know the story well since it’s a freshman lit standard. I wanted to escape the story, but Poe’s deranged narrator made that difficult and so the poems came out appropriately dark.
Poe was also a tricky subject for his elevated use of language—them fifty dollar words, if you will. I made a semi-conscious effort to avoid some of that to get a more natural, modern sound to these.
I liked doing the actual erasures what with the physical manipulation of the materials. It really felt like I was making something. I typed them, though, because I would find such things annoying to read if I had to read very many of them and also, I would like them to be able to stand on their own as a series, if not singly.
I also need to give major props to Dave Bonta whose ongoing Pepys’ Diary erasure series inspired this. Speaking of Dave, be sure to check out his beautiful new chapbook Twelve Simple Songs.
Something I’ve always liked about Blake’s “The Tyger” (one of my favorites) nicely stated by The Pathology Guy:
Although Blake was hostile (as I am, and as most real scientists are) to attempts to reduce all phenomena to chemistry and physics, Blake greatly appreciated the explosion of scientific knowledge during his era. But there is something about seeing a Tyger that you can’t learn from a zoology class. The sense of awe and fear defy reason. And Blake’s contemporary “rationalists” who had hoped for a tame, gentle world guided by kindness and understanding must face the reality of the Tyger.
A New Sound
my hand upon
the heart was stone
you conceal
the night in silence
when four o’clock came
I entered the night aroused
to search for my own dream,
the wild beneath my ease
///
Erasure Poem made from Poe’s “The Tell-Tale Heart.” One poem per page from The Essential Tales and Poems of Edgar Allan Poe (Barnes & Noble, 2004)
The Wind Crossing the Floor
You, the spider
gazed upon a dull old man’s face
directed by instinct
my heart kept still
told me to refrain
(I thought)
///
Erasure Poem made from Poe’s “The Tell-Tale Heart.” One poem per page from The Essential Tales and Poems of Edgar Allan Poe (Barnes & Noble, 2004)
A Ray Upon the Eye
it was impossible to work
when day broke
you would have been mine
had I perhaps said:
lie down, listen–
night after night
the world’s a dreadful echo
of folk traditions
in the walls of old houses
tapping
///
Erasure Poem made from Poe’s “The Tell-Tale Heart.” One poem per page from The Essential Tales and Poems of Edgar Allan Poe (Barnes & Noble, 2004)
Disease Sharpened in Hell
you entered my brain
love never wronged me
for I had no desire
a vulture fell upon me
take nothing with caution
I was never old
closed, closed, you laughed
so wise to conceal light
///
This is an erasure poem made from Poe’s “The Tell-Tale Heart.” I’m doing one per page from the 5 pages that comprise the story in the 2004 Barnes & Noble edition of The Essential Tales and Poems of Edgar Allan Poe. The idea was inspired by Dave Bonta’s erasure series based on Pepys’ Diary, and after doing one of my own from Poe’s “The Fall of the House of Usher,” I wanted to go a little deeper into Poe and erasure. I took the titles from the text and allowed myself to use some of the editorial footnotes.
I pull a rake against dry oak leaves
the wind gusts and twirls
an invisible rope
coiling through the cooling air
sunset and shadows cover the ground
I can no longer tell leaves from grass
the purpling sky is a fading sea
tugging the live oaks against gravity
mockingbirds call and chirp
I don’t know what they’re saying
but I believe them