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Author: James Brush

James Brush is a teacher and writer who lives in Austin, TX. He tries to get outside as much as possible.

Dream Ships

(an old poem…)

The broken ships lay torn under black cliffs
Nailed to shore by Sea’s relentless hammer
Dead Gull silhouette floats in glowing phosphor
Blown about by Gale’s unending power

Water shudders under Sky’s turbulent embrace
Gray battles Grey at Horizon’s obscured line
No life on the Shore of Ghosts, no life here
Except me, the phantom-dreaming me

I stand alone and watch this scene buried in dark night
My breath the only life among the wrecks
Trembling under waves, my feet give way
The deck shakes, rocks—I try to look around

Feet carry me across upended planks
A funeral shroud of sailcloth clings to Mast’s broken arm
No recent death appears in this ancient scene
Everything here has always existed before me

I ask, “Why bring me here? Does this pertain to me?”
From Childhood’s nighttime terrors to Adulthood’s fever dreams
I’ve walked these planks all my life, a thousand times,
Asking only, “Where am I? What does this mean?”

Big Ugly Billboards

Driving around Austin, it’s easy to notice that Mopac is relatively pleasant even when it’s choked with traffic, while driving I-35 is nearly unbearable even when traffic is light. Mopac is pretty in part because it is mostly free of billboards, and I think this lack of aggressive signage makes for a more relaxing overall drive. You don’t feel like anyone is shouting at you on Mopac.

The disruption of this visual silence is for me why billboards are inherently tacky and always mar what would be an otherwise more pleasant landscape, even in the heart of a city. Cute little messages from “God” or “Billboard” don’t help either. In a way, though, billboards become a kind of totem of the divine as it appears in a highly materialistic society such as ours: we look to them on high for guidance as they shine brightly in the heavens, but when compared with a highway devoid of billboards (that increasingly can only exist in the imagination) they are revealed (and reveal commercialism) to be empty substitutes for the divine or trees or anything else of real worth as Fitzgerald so aptly implied in The Great Gatsby.

This comes to mind as over the past few weeks, I’ve noticed a billboard spring to life in a neighborhood near my own. It towers over the landscape calling attention to itself, and though it is currently blank since the owners are in a dispute with a local home owners association over it, it is an eyesore and a sad reminder of how little aesthetics are valued when there is coin to be made.

I am pleased to learn that a group of local homeowners is trying to fight The Man on this one and even have the help of at least one county official.

Beer, Mass Culture and God

“Beer is proof that God loves us.”
-Benjamin Franklin

Beer. It’s really very simple. Hops, barley malt, water, yeast. You can add some grains or any number of other things to create unique flavors, but the essence of beer is simple. Yeast eat sugar, producing two basic by-products: alcohol and carbon dioxide. Beer, or more broadly put fermented sugar water, is one of the oldest creations of the human race. Nearly every civilization from the Egyptians to the Aztecs to the English have brewed beer. One can travel the world over (or visit a good well-stocked pub) and sample beers from different cultures and climates, each with its own unique taste and character. Australia’s hearty lagers can be just the thing after a hard day in the sun, while Mexico’s lagers go with a nice easy day at the beach. The British stouts warm a winter evening and the Caribbean’s milk stouts offer a touch of sweetness after a spicy meal. Germany’s famous bocks and hefe-wiezzens should be savored for their rich complexity, as might a fine wine.

There are two basic styles of beer: lager and ale. Lagers tend to be lighter in body and have a cleaner flavor. They are cold fermented at lower temperatures and are usually light in color. Ales, fermented at room temperature and occasionally served at room temperature, have a much more complex flavor and range in color from light amber to black. Both are excellent styles and a matter of personal preference analogous to the differences between red and white wine. I personally prefer English ales to any other style. There is a third beer style, unfortunately. This is the swill produced by the major American breweries. You know who they are. Their beer is a perverse replica of the pilsner style of lager originating in eastern Europe in much the same way that Frankenstein’s monster was a twisted version of a human being.

Too often, when offered a beer, I am treated to a flavorless concoction consisting of slightly metallic tasting carbonated water mixed with alcohol. The sad truth is that this is not beer. This is an alcohol delivery device, not a fine drink to be savored and appreciated for its flavor or character. Perhaps, a handful of hops was held near the wort while it boiled and dissolved sugars, but certainly no hops were lovingly thrown into the mix. Prior to 1920 and prohibition, American beer was just as interesting and unique as the beer of any other country. We had variety and regional flavor. During prohibition, only the larger breweries survived by shifting production to non-alcoholic products. In 1933, prohibition ended and the major breweries proceeded to market a lighter style of beer that would appeal to both women and men. Over the years, beer came to mean a watery beverage, often brewed with rice or corn, that carried alcohol into the body without carrying flavor across the tongue. This is franken-beer made by corporations that love profit more than beer. I have spoken with many people who say they don’t like beer, but have only ever sampled the twisted products of these breweries. I was one of them until I tasted a true beer, a certain Irish stout that looks like coffee. I then realized that I had never previously tried beer; I had only tried franken-beer.

The mass market ad campaigns have taught many people too well that beer with flavor is bad or as one brewery put it, “skunky.” To combat skunkiness, this brewery put born on dates on all of its bottles. But when is a beer born? Is it born when the hops are thrown into the boiling wort as my religious friends might say, or do we take the more secular view that a beer is born when the bottle leaves the brewery? I say that too often American beer is in fact stillborn, or perhaps is not even born at all, no more deserving of the language of birth than a machine. Beer is born when there is love. Love for originality and uniqueness. Not love of money.

Referring back to Ben Franklin’s quote and thinking of the popularity of American macro-brews, one cannot help but wonder if perhaps God no longer loves us. Perhaps we are being punished for following the trendy ads rather than our taste buds. I believe that this phenomenon, which occurs in other industries (think hamburger chains), is the end result of mass culture. Are we doomed to a steady diet of blandness and nothing?

Killing Pablo

Note: This is a review I posted one night in 2003 while playing with amazon.

After reading Mark Bowden’s Blackhawk Down, I wanted more of Mark Bowden’s gritty, exciting style. My only qualm with that book was the lack of sociopolitical background. Killing Pablo delivers that in spades. This book goes beyond the excitement of the chase and delves into the cultural forces that allow men like Pablo Escobar to exist in the first place. It is not a pretty picture, and it raises many questions for those of us living comfortable lives in the United States. What is our responsibility for keeping the world ‘safe’ and how much of the world’s ills are of our own creation?

This book causes one to really ponder the moral implications of our government’s actions, and at its heart is the timeless question of when does one act and when does one hold still. By the end of the book, I agreed that Escobar had to be killed, but I was left asking that ancient and uneasy question: Do the ends justify the means?

Powerful, well-written, significant. I couldn’t put this one down. By the end of reading it, my house was a wreck, and I had a stack of work that I was behind on simply because I couldn’t stop reading, even though the book’s cover gives away the ending. I had to know how it came to that.

Empires of Time

Note: This is a review I posted one night in 2003 while playing with amazon.

Anthony Aveni’s Empires of Time is a fascinating portrait of the rhythms and roles of time-keeping in a variety of cultures including the Aztec, Inca, Maya, and ancient Chinese. This is a thrilling exploration of a topic we all too often don’t bother to consider.

A Walk in the Woods

Note: This is a review I posted one night in 2003 while playing with amazon.

A Walk in the Woods by Bill Bryson is quite possibly the funniest book I have ever read. Bryson’s opening chapters covering his fear of bears had me laughing so hard, that I actually cried. A must read for not just a great laugh, but an impassioned exploration of our country’s natural wonders.

When I read it, I often found myself moved to hit the local trails for my own walks in the woods.

A Natural State

Note: This is a review I posted one night in 2003 while playing with amazon.

Stephen Harrigan’s A Natural State, a collection of essays originating in Texas Monthly does an exceptional job of taking the reader through the natural wonders of Texas, from the beaches to the deserts, and finally to the Hill Country’s Enchanted Rock.

By the end of the book, I had no other choice than to hop in my own car and hit the Texas highways and rediscover this natural state for myself.

Valis

Note: This is a review I posted one night in 2003 while playing with amazon.

Philip K. Dick’s Valis is at once sublime and unsettling. From the schizophrenic changes from third to first person point of view (“I am writing this in the third person to gain much-needed objectivity”, the narrator reminds himself as much as the reader) through the brilliant “Tractates: Cryptica Scriptura” that comprise the appendix, we see a work that goes beyond mere science fiction and attempts to wrestle with the insane story of life itself.

This is a novel that seeks no less than the ultimate answers to life’s biggest questions. Philip Dick in attempting to make sense of his own life gives us a work that is at once thrilling, empassioned, beautiful, funny, and sad.

This is truly one of the greatest (and least appreciated) works of American literature. I can’t say it gave me all the answers, but it raised many questions and new ideas as well as inspiring me in my own writing. Isn’t that what great literature is about? Thank you, PKD, wherever you are.

Thousands of Pages of Potter and Loving It

I’ve been putting away one Harry Potter book per film release for the past few years and enjoying each book more than the last. About a month ago, in anticipation of the release of Harry Potter and the Goblet of Fire, I began reading the mammoth tome that describes Harry’s fourth year at Hogwarts. What immediately struck me was the substantially darker tone and the transformation of Dumbledore into a character less like Santa Claus and more like Gandalf. The book was well-done and thankfully (relatively) free of Quidditch. The book, of course, ends dark and the next book, Harry Potter and the Order of the Phoenix (because this time I couldn’t wait another year or more) picks up right where it left off – Harry’s situation progressing from bad to worse.

I sped through the fifth book enjoying more than anything else the way Rowling grows her characters. The series opens dealing with kids, but by the end of Order of the Phoenix, Harry and company are on the fast road to adulthood, firmly believing they are already there, but still making the kind of rash and impulsive decisions that we all make as teenagers. Of course, none of us have the kinds of problems that Harry has nor the means of solving them. Still this provides a layer of depth to Rowling’s writing that I was not at all expecting when I picked up the first book and read it over the course of several hours on a Thanksgiving afternoon. She does a fine job turning Harry into a confused, angry, and possibly dangerous young man who wants nothing more than to be normal but who must shoulder a burden far beyond what anyone would want a kid to have to handle.

It is not just Harry’s maturation process that makes the series so interesting to me, however, but rather his relationships with and discoveries about the older wizards who seem increasingly human the older Harry gets. This is a natural phenomenon that kids experience as they grow older and their parents, teachers and other adults around them lose some of their grandeur, and once again Rowling handles it well. Especially fine is her portrayal of Severus Snape, the spooky potions professor we all love to hate. This guy clearly despises Harry and never misses an opportunity to viciously run him down, and yet just as Harry and his friends, time and again know he’s surely evil, he does something that saves Harry’s neck and yet still finds time to sneer at Harry just as cruelly as before.

Rowling’s ability to undercut expectations is, for me, a large part of why these books are so fun. The early books are enchanting, mysterious, yet rather predictable. They all end with Dumbledore patiently explaining The Moral of the Story to Harry and what he should have learned, but as Harry and his friends grow up, the universe in which they live expands, becoming increasingly complicated, nuanced, and more dangerous to the point that not even Dumbledore can adequately explain everything to Harry other than Dumbledore’s own mistakes and failures. Dumbledore, Sirius Black, Mrs. Weasely, Hagrid, Harry’s dead father, all of the adults to whom he has looked up through his life in the wizarding world emerge tarnished, slightly smaller, yet infinitely more human. And of course none of them are able to provide all of the advice and answers to the big questions that Harry so desperately wants and needs. Rowling’s ability to capture this painful aspect of growing up so poignantly and believably is, more than anything else, why I immediately began reading Harry Potter and the Half-Blood Prince as soon as I finished book five.

Switching Crooks

October is often a bleak month starting with OU’s annual defeat of UT. Then it gets worse, usually culminating in Republicans winning a bunch of elections. I’ve been more optimistic, though, since UT beat OU. Now the Astros are in the playoffs. Delay has been indicted. The Bush administration is floundering as it awaits – hopefully – indictments. People are finally waking up to Republican corruption. Could this be the end of evil?!? Could we see a bright new dawn of Democratic corruption? One can only hope…