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Category: Poems

Poems written by me.

Apocalypse

The day the desert was destroyed, water
sucked from distant rivers sprayed through the sky,
and cars bore pilgrims, dreamers to Mecca,
sedated by slot-machine lullabies.

The stars all tumbled to earth, outshone by
neon casinos and fountains of light
while roulette chances to change everything
spun against the darkest of desert nights.

Now, unheeded prayers to dollars drift down
from the mouths of those ghostlike survivors,
mumbling dreams into urns full of quarters
as taillights depart in night’s brightest hours.

Boys with flyers for prostitutes jostle
the stars, shouted down from celestial heights.
Barely burning, they stagger slow down the Strip
cursing this blaze, this apocalypse of light.

I tried to come up with something for Read Write Poem’s latest image prompt (#98) which involved writing a poem based on an image of swirling lights at a fair. I fixated on the lights and kept thinking about this poem I wrote back in April (I think). So this one is sort-of off prompt, but I offer it anyway.

I wrote it for a (not-quite-there-yet) chapbook of road poems called Highway Sky. I’m still tinkering with some of the poems, but two have been published at Bolts of Silk and Ouroboros Review #3.

Some of the lines are lifted from the manuscript of my novel A Short Time to Be There. In the novel, the characters are driving into Las Vegas after a week on the road and find themselves alternately overwhelmed, excited and disgusted by the city.

Read what others did with the prompt at this week’s Get Your Poem On at Read Write Poem.

The Crow’s Lesson

A multitude of hungry words, scribbled on a scrap of paper, begs for just the merest pittance of the greater meaning bestowed by syntax. I stare and hear their cries, but next to hip, husk just looks like flask, for crying out loud. Besides, it’s clearly an empty one at that. The cat suggests that swilling single-malt could be the remedy of meaning that might make these words conform and stand in ordered lines.  Then he knocks a bottle off the bar, which is irksome, but not critical. I mean, what good is a cat’s advice on writing anyway? Sure, they’re decent spellers—everyone knows that—but for paragraphs, they don’t have much to offer. He looks at me with something like pity in his green eyes and asks if I’d like to help him lick up a puddle of Oban 14. I shake my head—not now, I’m working. I clean the broken glass and wrestle those words, but like scofflaw dreams on fitful nights where sleep, forgetting its starring role in the late show of my mind, lurks beyond the limelight in the shadows by the curtains, the words just lie there, scattered on paper, plum forgotten and ignored much like the clover extending across the lawn, dotted as it is with the wrappers of some confectioner’s dreams, reduced now to just the faintest sparkle, piquing only the interest of the passing crows who pluck them off the ground,  take them back to their nests and read the lists of ingredients to their children warning them away from words they don’t understand and can’t pronounce.

This is the result of staring at the word list from Read Write Prompt #92: Word Gems. I think I used them all. Go here to see what others made of the same list.

Gasoline, Meet Match

The bustling elocution of
the eight-track saints

rattles nerves like diodes
hitched to an electric chair

Rancid impulses coagulate
around anger, another rant
blares from the radio

Car racing homeward
lizards skulking among
dead armadillos on the shoulder

One last chance for a course change
flinging into the driveway

desperate to say, I understand,
forgetting reason frothed to static

going instead for the gun

This is for the latest wordle prompt at Read Write Poem (#88). I like these word list prompts because I generally approach the writing with no preconceived notions of what the poem is going to be about. I just let the list of words play and try to see where they land. This one kind of surprised me.

Summoning

We hadn’t been walking long when I stumbled over ivy-covered stones. I bent to have a look. Found names and dates from the eighteenth century. Other stones, each with familiar names from the island’s past and dates long gone, lay scattered and toppled, poking up through centuries of leaf litter, soft soil and faded old beer cans.

We learned the difference between
boneyards and gardens of eternal rest
in the hours before the sun went down

Where faces fluoresce in ultraviolet light
stories             leapt                from stone

two broad-winged hawks
circle overhead and a little
girl calls for help, her voice
coming from, disappearing into
slow-moving creek water

An incandescent spark
between two wires reveals

dead snake
spiders under a bridge
raccoon scrambling away
water               full of memory

screams

submerged
washed away
generations ago

resurface

You knew this would happen,
my inscrutable friend.

You knew.

This is for Read Write Poem’s Prompt #85: Spooky, which asks participants to respond to a picture of two guys in a graveyard. It’s a cool image and you can see it at the RWP site.

Transcript of a Recording Found in a Briefcase Abandoned on the Plains (c. 1977)

It’s hot here.
I don’t mind.

Was it in Memphis?
Hot?

No. You know. Where it happened.
Not Memphis. No.

Where? If you don’t mind.
Tucumcari.

Tucumcari?
Yes.

You thought it would be somewhere else,
but things can happen anywhere.

You left there and came here?
Pretty much.

Is it true you won the lottery?
Just a scratch-off.

But you did win.
It was cursed.

Don’t laugh at me.

Sorry. Cursed how?
I see people as they really are. Their true faces.

What do you see when you look at me?

What?

Please.
Is that really what you want?
You’ll understand what… happened…
better than you might really want to.

Tell me.
Can I tell you a secret first?

This was inspired by the latest image prompt at Read Write Poem (prompt #81). To see the photo (“XX” by nwolc), which is really cool, follow the link to the prompt or go straight to its Flickr page.

Waking for the Descent

We grabbed sounds from the air,
stuck them together, draped
language around actions,
tethering ourselves to history
inscribed in vellum, barked
and trumpeted for all to hear.

All this tonnage… it seems like magic.

We learned to tell convoluted
tales, twisting facts like
movements in a bellydance,
sapient and seductive.

What is that mist out there?

We carved the world like onion slices
to be devoured one-by-one,
ignoring the other passengers’
wrinkled noses.

Hold my hand.

Thumbing through the final pages, I skimmed
the moribund bibliography of My Heart:

Bark, Vellum K. Tether the Bellydancing. New Drape City: Moribund Hand, 2003.
Trumpet, J.J. “Tonnage.” Devouring Convoluted Onions. Mistburg: Sapient & Sons, 1993.

Fasten your seatbelt.
The plane will be landing soon.

This is for Read Write Poem’s wordle prompt (#79). The idea is to write a poem using a given set of words. All of those words comprise the bibliography portion of this poem.

Perhaps They Don’t Really Believe It Either

Whispers flicker in the void, explaining
each color present and how it combined
absent light with permanent darkness.

Overpowering and blinding,
a quasar burns static and noise.

Here, we don’t need sound;
we imagine music and try to sing.

That radio sun burned out ten years ago.

Or so they tell us.

This is for Read Write Poem’s Opposites Attract prompt. The idea is to write 2 poems each dealing with opposing elements, experiences, memories, or whatever. Then alternate the lines between the 2 poems to create a single poem.

This was an interesting exercise that went in an unexpected direction. I started with the ideas of darkness and light. Sound crept into both freewrites, thus creating a third layer of opposites. When I combined them, it seemed that the opposing forces in the poem shifted to light and sound rather than light and dark. After combining them line-by-line, I started fiddling with the lines to get a smoother flow from one thought to the next.

Below, I’ve included the original drafts so you can see how the poem developed.

Darkness draft:

In perfect darkness
Whispers flicker in the void, explaining
the absence of light, the permanence of darkness
a radio sun, burning static and noise
we hear music and try to sing

Light draft:

In perfect light
Each color present, combines
Overpowers and blinds
Here we don’t need sound,
The radio sun long ago burned out.

First Combination:

In perfect darkness
In perfect light
Whispers flicker in the void, explaining
Each color present combines
the absence of light, the permanence of darkness
Overpowers and blinds
a radio sun, burning static and noise
Here we don’t need sound,
we hear music and try to sing
The radio sun long ago burned out.

Update: Changed the first line from “Flickering whispers fill the void” back to the original “Whispers flicker in the void.” I think I like that better. Thanks Julie for making me think about whispers and flickering.

Hai(perlinked)ku

gauzy clouded sky,
like ink bleeding through paper
unreadable blue

This week’s Read Write Poem prompt (#74: Hyperlink Your Poetry) was to hyperlink a poem and try to add a bit of depth. I wanted to try to hyperlink every word so I chose a haiku I wrote yesterday. In addition to hyperlinking, I decided to make use of the HTML title attribute so that when readers mouse over the words, there will be something to read that perhaps adds (or perhaps removes) something from the poem.

What emerges is essentially an annotated poem. Mousing over the individual words will reveal one of the following: a related haiku/mircopoem, word associations, a question, wordplay or process notes. Following the links will lead to other (sort of) related sites.

I tried to think of each word individually to see where associations would take me both in terms of what I wrote and the sites to which I linked.

Follow the links, too. Especially that last one.

For those who may want to play with the title attribute, here’s an example using the HTML for the word bleeding in the poem:

<a href=”http://www.xacto.com/” title=”how many times while cutting mattes have i bled for my art?”>bleeding</a>

The Day I Held a Hummingbird

When you use spider silk to build a nest,
You take an awful risk.
This is what I learned from a hummingbird
Trapped in a spider’s web.

Still alive, the bird fought for his freedom,
The spider watched, waiting,
Shrinking back when I moved to intervene.
I gently pulled the bird

Out of the sticky tangles of the web.
Afraid I might crush him,
My fingers, trembling, pulled the silk away
From tiny, tightbound wings,

Glowing iridescent in the sunlight
When I opened my hand,
He shot into the air, flying swift north,
seeking another web.

This is a true story from a few years ago. I’ve written a few other poems about it, but this one is the latest. I’ve been experimenting with writing lines with specific syllable counts and sometimes stumbling into formal meters. Experimenting with rhythm, I guess.

Check out more good stuff at Read Write Poem, where you’ll find a number of folks who wrote a poem a day for the 30 days of April, aka National Poetry Month. I didn’t shoot for that, but I did write more poems this month than usual, many of which are at a gnarled oak or in my journal. And, I revised a lot of older ones.