Skip to content

Category: Poetry

Poems, thoughts about poetry and links to places that have published my poems

Untamed

Elegant and graceful, forever young
under the lights, but up close her legs

were scarred like cottage cheese, her eyes
had bathtub rings. She twirled the years

inside the cage, spinning them away
like someone else’s dreams. Backstage

she showed us off: tiger, leopard & me,
toothless cougar rescued from a meth dealer.

We rumbled like idling engines while
she ruffled our fur, loving all of us

as she did her own children, loving us
even as we tore her and her son apart.

This one took a decidedly dark turn, and it’s based on a true story. My father-in-law used to coordinate a Shrine circus. We went and got to go backstage to meet the woman who worked with the big cats. She was much older in person than she looked onstage. The cats were beautiful, and she clearly loved them and took good care of them. We weren’t allowed to touch them, but seeing them up close even inside their kennels was enough to set some primal adrenaline sparking. A few years later we learned that the cats killed the woman and her son.

This is a response to the very first prompt over at the brand new Big Tent Poetry where I’m honored to be a barker and to have had one of my posts included in the 3rd ring of that exciting poetry circus. The prompt, in honor of the site’s circus theme, was to write a persona poem ideally about someone associated with the circus. I chose the cats who I can’t blame. It’s what they do. We often wonder if our sweet cat would eat us if he were big enough. I suspect he would.

Practice and Product: Reflecting on NaPoWriMo

Back in the days before digital photography, people sometimes asked why I write poetry (or anything else for that matter). My answer was usually something along the lines of “Because film is too expensive.” That was partially true, I suppose, and also a flippant way of not having to admit to being, you know, a poet. But nowadays pixels are cheap and still, I write.

I’ve been thinking about this a lot over the past few weeks of doing the NaPoWriMo poem-a-day-for-thirty-days thing, and that’s got me thinking about practice and product. Thinking about practices that require craft and some degree of clarity reminds me of the way Robert Pirsig describes working on his bike in Zen and the Art of Motorcycle Maintenance wherein he writes that the cycle you’re working on is you.

One of the many joys of writing is the way it facilitates discovery, leading somewhere unexpected, to some insight I didn’t even realize I was looking for. In this way, writing poetry is as much and maybe more of a practice than it is a chase for a completed product. It is a way to see the world under the light of a different sun and then perhaps to understand this thing called life in new and unexpected ways.

Practice isn’t everything, though, because I’m not writing just for me. I like the connection between myself and those who read what I write, and I enjoy the creation of the thing. My about page says “I’m driven to create,” which is true, though I prefer Dale’s way of expressing it as a need to make and share beautiful things because that’s a truer way of putting it, and it encompasses the way time spent in the kitchen can satisfy that need too.

What I like about making poems—about writing, really—is that process of discovery and feeling of channeling things from somewhere else that I then share with others. When I go back and read something I’ve written that’s actually good and brings me or someone else enjoyment, my initial response is always “Wow, who wrote that?” Maybe I should ask “Where did that come from?” but either way, the answer is I don’t know, and that mystery is a reminder to remain open, which is where I fell out with NaPoWriMo: it upends the balance and turns poetry into a mad quest for product.

I have cranked out 46 poems (25 micro-poems posted at a gnarled oak and 21 longer poems posted here at Coyote Mercury) this April and I haven’t had time to process more than a few of them. I like to write, think and revise, but NaPoWriMo dispenses with the last two in its demand for numbers. So I’m glad it’s over.

For me to write anything worthwhile, I need to remain open to the world and to experience. The time spent not writing is just as important as the writing, I suppose. Still, I completed the challenge (because I’m obsessive) and now, I’m looking forward to going back to my nice slow poem-or-two-a-week pace, getting back to my balance between practice and product, and also just walking around, seeing, and trying to pay attention to the world around me, which is where it all begins.

Darkening

It’s warm this afternoon,
and sunny—a spring day
of bluebonnets and tall grass
and songbirds in the trees.

It’s a beautiful day, but
heavy beyond my horizon.

The pictures are coming,
we all know they’re on the way,
we’ve seen them before:
birds dying in oil-choked seas,
blackened beaches, ruined
estuaries and suffocation.

They say it’s going to hail
tonight, here.

This is for Read Write Poem’s NaPoWriMo #29: Front Page News supplied by D.S. Apfelbaum. The poem is based on the dread I feel about the images we’re about to see when the oil slick hits the Louisiana coast. The pictures that will be on front pages in the coming days.

This is my last poem for National Poetry Writing Month. It’s also, sadly, my last response to a Read Write Poem prompt, since RWP is closing down tomorrow. It is Read Write Poem that inspired me to fulfill one of last year’s new years resolutions, which was to start sharing my poetry. It also led me to a vibrant community of online poets and writers of which I’m happy to be a part.

There are new sites gearing up, growing out of the community created by RWP, and that’s a great thing. Big Tent Poetry developed by Deb Scott, Carolee Sherwood, and Jill Crammond-Wickham will be doing weekly prompts starting next Monday, and I’ll be helping out as a “barker.” Starting on Thursday, We Write Poems, conceived and organized by Neil Reid will launch their weekly prompts. I’ll contributing a prompt or two there from time to time. Rounding out the online poetry prompt madness will be the Friday prompts at Rob Kirstner’s Writer’s Island.

Thanks to all of you mentioned above who are so dedicated to keeping these online poetry communities alive, and thanks especially to Dana Guthrie-Martin for Read Write Poem.

Standardized High Stakes Panic

Sorry, kid. You’re on
your own today. Just
you vs. the State of Texas.
Give ‘em Hell, remember
the Alamo & your #2 pencil.
Should you not pass
(we won’t say fail) you may
retake this test, repeat
this grade or possibly
redo your whole life.
Don’t work too fast either:
these tests may cause nausea,
dizziness, double-vision,
vomiting, hallucinations,
panic attacks, bitterness,
resentment, depression,
and a profound distaste
for school, education and
even learning in general.
And Remember, don’t panic.

Redirection

Words drip
from dictionary
lips—

challenges
& curses

stain the classroom
carpet.

OK, then.

Let’s mop these
words up off
the ground

turn them into
something

you can use.

Navajo Country, 1996

Cars were rare along the highway
On that day of dusty miles.
You came up a ridge behind us to
Observe our passing.
Through the rearview, we watched you
Emerge, then fade back into the desert.

This is a response to Read Write Poems’ NaPoWriMo #27: Let Someone Else Take the Lead wherein Carolee invites writers to do an acrostic poem. I’ve never done one before, but figured I would need a short word for today and so I went with coyote, a favorite animal that I’ve heard far more often than seen. This poem is about the first time I saw one.

Though I’ve missed a few days of posting due to internet issues, I’ve been writing and back-posting what I wrote those days here and at a gnarled oak.

Galveston, Last Summer

Early Sunday morning,
we sat on the seawall

watching a laughing gull
eat a fish. There wasn’t

much happening, just the
gulf falling and rising

with the sea’s slow breathing
between hurricanes,

porpoises jumping over
waves, pelicans floating

above the shore and that
gull working on his fish

while glancing upward at
a sky filled with thieves.

I’ll Race the Fiercest Gulls

How much time could you borrow to put off
the moment when you’ll go tomorrow?

The sound of earthquakes will reverberate
across saffron-tinged plateaus tomorrow.

Despite the coming squall, will the sky still
fill with pepper-colored crows tomorrow?

Through dizzying emporiums, I’ll hunt
the rare rust-colored rose tomorrow.

I’ll row this boat and race the fiercest gulls
across the Gulf of Mexico tomorrow.

I’ll grind my glass and polish brass to see
as far as Galileo tomorrow.

In tendrils of light across the night, I’ll
write my name to guide you home tomorrow.

Another attempt at writing a ghazal, this time using the words in the wordle prompt (NaPoWriMo #22) with an interesting set of words provided by Catherine. I used all of them except flinch.

One of the things I’ve been doing during NaPoWriMo is experimenting with forms I’ve rarely (or never) attempted and my favorite, thus far, is the ghazal. I first read ghazals in Sarah J. Sloat’s excellent chapbook In the Voice of a Minor Saint (Tilt Press, 2009) and was immediately struck by the form. You can read some of her fine ghazals at Linebreak and Eclectica (the one at Linebreak appears in the chapbook).

I only know of the form what I’ve read in wikipedia and deduced from studying Sloat’s poems and a few others I’ve found here and there, but when NaPoWriMo is over, I’ll probably try to learn more since it’s a form I find quite compelling.