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Category: Stories

These are stories: memoir, memory dump, what-happened-yesterday, tall tales, good lies, and pure fiction.

Outlaw Country

When I was growing up there were certain artists whose music was always in the background. Foremost among them was Willie Nelson, and frequently heard were Willie’s fellow Highwaymen: Waylon, Kris and Cash. I always dismissed this stuff as my parents’ music, but it wasn’t until I was on my own without any of their albums that I realized I liked it and that I missed hearing it.

The moment came when I was in college, still new to Austin and Texas, and I found myself sitting around playing guitars with a friend. The conversation turned to secret musical fixations and I admitted to Willie.

My friend, a lifelong Texan, informed me that Willie didn’t count.

“Why?”

“Because everyone likes Willie. They just don’t always admit it.” We took a break from Joy Division and the Grateful Dead, and he showed me how to play a few Willie tunes. I finally had to fess up to something else, but what he said was spot on.

I’ve realized over the years that I can’t stand Nashville country, which sounds to me like it’s in, shall we say, its hair metal phase, but I do like the old outlaw country guys: Willie, Waylon, Kris, Cash, Jerry Jeff as well as some of the new country that comes out of Austin. It’s simple, nonpretentious music with a kind of hard-edged honesty and dark sense of humor that lends it a quality similar to old school punk or gangsta rap.

This all surfaces because of two events. Last week I saw Walk the Line, which put me on a Johnny Cash thing, and tonight I’m going to go see Willie at the Backyard. This will be the second time I’ve seen him play. The first was one of those God-I-love-Austin kind of days.

Back in the early ’90s, word got out that Willie was going to play a free show on the south steps of the capitol building. It was a Sunday afternoon, I think, and I decided to check him out. I rode my bike down to the capitol and waited with the small crowd. Finally, Willie came out and stood in front of the single microphone. He had no band; it was just him and Trigger, all beat up and full of holes.

He played a solo acoustic set that included many of his most famous tunes. I remember the weather was beautiful, the crowd was happy, and Willie seemed so pleased to just be making music for a small group of fans in his home city. Afterwards, he stayed up on stage while people passed him boots, belts, LPs, guitars, and posters to sign. He joked with the audience and didn’t leave until he’d signed everything that anybody wanted signed.

I’ve always associated Willie with Austin and as much as I love this town, it’s surprising that I’ve never made it to a real Willie show so I’m looking forward to tonight. Despite the forecast for rain, I’ll be there. After all, what would Willie do?

Treading Water

I don’t write autobiography or memoir, but I often use real events as a start point for my fiction. I’m sure most writers do. Sometimes memories come floating along without context, without rational explanation, they’re just there, triggered by a smell, a sight, a feeling, the minutiae of life. These pictures appear vivid, bright as day, begging to be recorded and then they’re gone like waves receding from shore.

“Treading Water” came about as a sort of experiment in capturing these memories. I wanted to take a collection of scenes and connect them not so much through narrative, but rather through context, jumping from one to another the way the mind wanders in those wonderful moments of quiet reflection.

I decided to use scenes that take place near the ocean. I started writing the memories as they came without knowing how or if I would connect them. Eventually a story of two people standing on a beach watching the waves roll in emerged, and it became the frame for the scenes I ultimately decided to include.

I think it plays out sort of like a short film or a prose poem.

Here’s the link: “Treading Water”

Enjoy.

Meat and Potatoes

I’ve now added “Meat and Potatoes” to the stories and poems page. It’s pretty funny. Feel free to comment here if you like.

Here’s a bit of background:

I originally wrote this as part of my application to NYU’s film school. They wanted a story about gluttony. I sent them a story about giant hamburgers in a Texas BBQ joint. I don’t know what they thought of it, but after choking in my interview, they wait-listed me and then accepted me a few months later. By that time, I was working in the Austin film scene and leaving to rack up huge student loan debts wasn’t so appealing anymore. When I finally did go to grad school at UT, I rewrote the story into its present state for a writing seminar. The teacher, a serious and talented writer named Zulfikar Ghose, asked me to read this to the class at the end of one meeting. I read it, wondering why he had selected this one. By the end, everyone was laughing and Ghose was in tears from laughing so hard. Over the next few semesters, it wasn’t uncommon to be approached by people who were in that class and would laugh when they saw me and reminisce about the day I made Ghose cry.

Enjoy.

Kimberly Road

As part of my site redesign, I’m reposting all the short stories I had up on the old site, but because of some reformatting, I’m doing them one at a time and adding some commentary about them as well. I’m starting with “Kimberly Road” because it seems to get the most traffic. It comes up when people ask Google or Jeeves how to compose blues songs, which surprises me. But it is about the blues, so I guess it fits.

The idea for “Kimberly Road” came to me as I was driving from Dallas to Austin back in 1994. I was listening to a Lightnin’ Hopkins CD and the story just started forming. It was one of those instances where I stepped on the gas to hurry home and get to my computer while the story was still coming together in my head. I worked on it for a few days, and the day I finished turned out to be a good day. It was the day I met a woman who would introduce me to one of her co-workers whom I would eventually marry.

I picked the story up a few years later and re-wrote the character of Jake, basing him heavily on a man with whom I worked for a short time. His name was Willie and almost everyday he’d say, “Now see here young man, der’s two kindsa people out there. Them that’s happy at home, and them that ain’t. Them that ain’t is about ten percent and they like to make ever’body else unhappy. So you got to watch out for that other ten percent, see?” Everyday. Some days it would go up to 20%, but usually it hovered around ten.