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Tag: prose poems

You Do Not Have to Personify the Mountain

February 9, 2016 • • 8 Comments

Blue eyes mean avalanches, the old climber warned. Passersby glanced up at condos rising downtown like fingers set to claw the sun. So little light filtered down through the shadows, everyone shivered in the heat. Two panhandlers played the same song in different keys on opposite sides of the street. One man, with crampons and ice axe, started to scale the tallest condo. His friend watched him begin his ascent then ducked into a Thai restaurant where members of his support group met on Tuesdays to start a new political movement. Avalanches could be metal, bricks or piles of trash, stony absences where everything that mattered used to be.

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This Is Not a Literary Journal :: Leaving Mount Everest Alone

Ascent

September 15, 2014 • • Leave a comment

1.
She went deeper and the boat receded. She worked her chains. The world was locks and water, but she knew the key and smiled as she sank.

2.
The waves came and went leaving constant patterns in the surf. A message: Help me. The beach litter was a map of the seafloor.

3.
He swam for hours into the darkening sea, found her lying in the coral. You came, she said. He exhaled for the last time.

4.
The sea was air, the coral home. Their love the fish, the legs they grew as they evolved back to land to invent boats, chains and locks.

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I posted this to my Twitter feed about a year ago and found it in my files. So, a rerun.

Toward Home

April 30, 2012 • • 3 Comments

I drag my tired, sweating body high up Enchanted Rock, gaze out through the wind at what surely thrilled even the Comanche in their wildest cowboy fighting days. From this rock in the sky, I can see the ancient highway binding the horizons. I remember oceans on each end, all the stories written in the asphalt and the sky between. Civilization so long gone, only the old man in the ranger’s hat remembers anything but vultures, yet home lies just over that hill, down that endless road.

—

And with a prose poem, that’s the end of another year of napowrimo. I managed to write poetry every day: 22 small stones and 12 long poems including 2 ghazals, 1 pantoum and 2 prose poems. I’ll write something more reflective of the experience in the next few days, but for now I’m happy I managed to do this.

Now for a shameless plug: the paperback edition of my book is still on sale at Amazon through the end of the month, which is only a few more hours.

Creepy School Cafeteria Nutrition Posters

April 23, 2012 • • 6 Comments

Cauliflower’s been working out, ripped clothes and muscled arms urge everyone to dance. The blueberry girls and grape chicks with their leafy hair giggle and smile nearby. In walks Whole Grain Hipster, sporting a suit of bread and cereal like a seventies cartoon pimp, swaggering down the lunch line, healthy, cat, healthy, he nods over at the clique cliché of all the artsy individualistic girls: the lonely beet, eyes closed playing Dylan on her sad guitar, the bubbly pixie art grape, splashing paint so dreamy. Off in the corner by the water fountain, a cluster of grapes with black-eyed peas for eyes, fruit from the vineyard by the reactor, laugh through their carefully carved mouths while a lone mushroom makes his getaway on a hot rutabaga balloon made from some unfortunate member of misunderstood beet girl’s family, turned upside down, greens shredded and stalks used for lines. It’s a tough world for veggies and the fungus always wins but it’s healthy, man, so healthy.

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I administered our state social studies test to a group of sophomores and juniors in the cafeteria today and so I had a lot of time to study the posters in there. File this one under ekphrasis.

Small Adjustments

March 20, 2012 • • 8 Comments

First he thought it was the stars, that creaking groan and grind of tired years but with time the tension grew and he realized the problem lay not overhead but underfoot (as problems often do). Some days the gripping stuckness beneath his feet felt tighter and other days it felt looser like someone else’s shoes depending on where he walked and what he ate for breakfast. Out on the plains where the stars rattled so faintly as to be almost inaudible, he located the source of this tension, unzipped the blackland earth and studied the dull gears that moved the gears that made the world go round. He turned a wrench against the machine—so surprisingly simple to adjust, this mechanical universe—and retuned the planet’s motion relative to the earthly key of his own aspirations. That’s the way he explained his good fortune years later as he leaned back in the worn leather chair of his old age, smiling in the knowledge that he was now very close to achieving his lifelong goal of living happily ever after.

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For Magpie Tales #109

Here We Go Again

March 2, 2011 • • 1 Comment

She holds her smoke. She’s swallowed the sun. Tendrils drift blue from her nose, a curtain obscuring the year. Cars weave through the lot. She stands among leaves, refusing to flinch at the sound of tires rolling over gravel like fragile bones. Her resistance radiates through the trees’ bare branches and out to space with the smoke from her lungs as the light between her fingers fades. She flicks the butt to the sidewalk, a comet to inspire the prophesies and curses of the ants. She runs her hands through her long and tired hair, pushes open the door surprising herself by humming snatches of a tune she thought she’d forgotten. The ants gather to celebrate this thing, this fire, they believe is theirs.

—

Prose poem or flash fiction? Who knows. This is based on this old post from 2009.

Insomnia

November 9, 2010 • • 2 Comments

When everyone else is asleep, he listens to rats scurry across the roof of the house. His stomach rumbles, and he tries to remember when he last ate. He struggles to remember other things he isn’t supposed to forget. Fearful that sleep might steal what he knows, he creeps out of his bed to the kitchen where he empties packets of ketchup and mustard onto a blue-lined plate. Using a thin carrot as a stylus, he writes in red and yellow script his products and sums, the genealogies of silent gods, and the names of animals long gone. When the plate is full, he carefully rinses it into a glass and drinks down the mud-colored water and the knowledge suspended within. He returns to bed and drifts to sleep as numbers multiply in his blood, extinct creatures rumble in his belly, and all the while rats and cockroaches sit on the roof counting stars dropping below the horizon.

Dear Old Stockholm

September 24, 2010 • • 16 Comments

We communicated in images. Flickering moments on dueling monitors. Shoes on cobbled pavement. Clothes rustle in the wind. Wind? We both understand this thing, wind. The colors are suddenly blinding. I can’t even name them. The view of open parkland and a blue pond widens to almost 360 degrees. My stomach drops as the ground falls away, earth tumbling into a pit of sky, images bleeding off the monitors now. We’re flying again. It’s all she thinks about, the only thing she’ll show. I rip the cables from my temples. She flaps them from her wings. We stare at one another across the sterile distance of the research lab. Going nowhere. Again. A white feather floats on the air-conditioned current. We’re as alien and far apart as ever. Three feet away yet separated by species and the awkwardness of the now-severed connection with its illusion of understanding and love. Can she feel it too? She doesn’t blink, her avian eyes as incomprehensible as the machines humming in this lab. I glance at the security cameras and lean in. Please, I whisper, please. Don’t make me leave. I’ll show you everything. Outside, I hear engines and the wind of ten thousand wings beginning to flap.

A flight of egrets
glides toward the setting sun—
the moon rises.

—

This is for Big Tent Poetry’s challenge to write a haibun about travel and an encounter with an imaginary creature. I love haibun, though my approach has been intentionally nontraditional. I’d like to learn more, but I also like the notion of feeling my way into something new and playing with it a little bit like the way I’ll fiddle with a new instrument before attempting to learn how to play it.

I suppose this is why my haibun tend to read more like prose poems. Most of them actually start with the haiku, which tend to be pretty straightforward and traditional. I then write a prose poem piece that goes in a completely different direction. I often think of the prose piece as fictional process notes.

Sometimes I think I might just revise the haiku out completely and let the prose stand alone, but for now I like the way the haiku contrasts with the prose and grounds the charge, bringing things back to Earth. This Earth anyway.