My uncle, who is both a writer and a retired writing teacher (and who has read several of my works-in-progress over the years) has commented on occasion that the voice in my work is consistent in such a way that it seems everything is done in one sitting.
I had never thought about it, but I think part of what makes that possible is ritual. During the summer when I have all day everyday it’s not so important; I just sit and write. Doing NaNoWriMo last month forced me to think about how to get into the zone so that the isolated hour here and two hours there could be most productive.
Music is one of the best writing rituals I’ve found. Whenever I work on a novel, I tend to pick one CD (or one artist now that itunes makes it easy to shuffle all of an artist’s work) for that project. In the past I’ve written to And then Nothing Turned Itself Inside-Out by Yo La Tengo, the hundred or so hours of Dead I’ve got, and Enigma’s MCMXC. For this project, I turned to ( ) by Sigur Rós.
When finding music for writing, I look for work that’s interesting musically, but that can also fade into the background. I like lots of instrumentals and open spaces and maybe even some drone.
Last month, I found ( ) to be perfect for an eerie science fiction piece set at a research base on Mars. Perhaps on some level Sigur Rós appealed because they’re from Iceland, a nation whose landscapes are closer to what exists on Mars than almost anywhere else on Earth. The music is also otherworldly, and the lyrics are not sung in English so they don’t become a distraction.
By listening to ( ) in my car on my way home from work, I found that I would already be in my writing zone by the time I got home. I would brew a cup of tea (another ritual) and sit down to write. While writing at my computer, I used itunes and so could go beyond ( ) to include Takk… and “Sevefn-g-englar,” the epic track from Vanilla Sky that turned me on to Sigur Rós in the first place.
I have an easier time getting started when I’ve pre-focused my mind on the drive home. When I sit down the words come easier, and I’m in the frame of mind for a particular story because I think my subconscious is already tuned to that story’s frequency.
I was finishing some revisions on another novel at the beginning of the month and I found I could easily switch focus between stories by changing the music from Sigur Rós to the Grateful Dead.
What (if anything) do you listen to when you write?
Here’s a video of Sigur Rós performing “Sevefn-g-englar.” You have to love a guy who uses a bow to play his guitar. Enjoy.